DISASTER PHOTOGRAPHY

I ran across the University College Dublin’s Photography & International Conflict project this week. It operates out of UCD’s Institute for American Studies … and it’s awesome.

Or as awesome as something about war can be … or at least the best academic offering on photos and carnage since Photography and Atrocity served up at Leeds University a couple of years ago.

If you fancy going all rogue-scholar then this is the site for you: Imaging, Africa, ethics, Northern Ireland, the political economies of photography, America, Vietnam, the former Yugoslavia and well known academes of the media/photo/critic world.

Anyhoo, this is all by the by, because amongst this thinkers-paradise are some straight video interviews with leading photography editors.

SATURATION POINT

Roger Tooth, Head of Photography for the Guardian UK says (at about 18 minutes and 30 seconds):

I would have thought we are at saturation point for photojournalists, but then you have the colleges churning out thousands of graduates each year, so its all a bit worrying really. I haven’t got a clue what these people are going to do? I would have thought we’ve got enough people to go around at the moment. What I suspect they’ll do in the future, I suspect they’ll do video because that’s going to be the currency.

Well, how’s about that?! Seriously, great site and plenty of food for thought.

Found via the reliably excellent CONTACT blog, which keeps me real with all things Britski.

UPDATE

As if on cue, A Photo Editor has this interview with Vincent Laforet about his switch over to moving images.

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