Michael Shaw has been conscientiously restructuring BagNewsNotes over the past six months or so. Here’s how he describes the rebranded Bag:

• An almost hypnotizing archive featuring hundreds of ways to sort through our over 3000 image posts.

• A dedicated photojournalism section, BagNewsOriginals, steered by long-time BNN contributor, Alan Chin with a powerful lineup showcasing BAG’s distinguished contributor, Nina Berman, fresh off her Whitney Biennial success; World Press and Pulitzer Prize winner Tony Suau on the economy; and much, much more.

• A Salon section managed by the talented photographer and multimedia producer, Sandra Roa, formerly of the NYT Lens Blog, mixing audio slideshows and live chats, all focusing on key images of the day. We kick off on Wednesday with an audio slide show featuring Ashley Gilbertson’s look at the bedroom shrines of fallen US soldiers.

•  Our mainstay news image analysis by BAG publisher Michael Shaw, with new contributors, including: acclaimed photojournalist Chris Hondros conducting exclusive interviews; leading visual academics Bob Hariman and John Lucaites deconstructing visual culture; and former White House photographer, Stephen Ferry, on media’s pictorial stereotyping of the third world.

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The Bag is all about demystifying (political) imagery and helping people along with visual literacy. Yes, audiences are more savvy, more sophisticated, but there is still a distance to go.

The Bag is the most persistent contributor to this ongoing analysis. The importance of the Bag’s ever critical eye cannot be underestimated in a world that sinks deeper into the swell of images every day.

The new look by designer Naz Hamid of Weightshift is super navigable and I think it is funny (humorous) that the Bag has made use of the same font used by the New York Times’ arts and media blogs.

The font choice is a cheeky nod to the subtle echoes of form and type that run through our daily visual experiences! It’s as if the Bag is testing its own hypothesis from within the permanent elements of its own visual architecture. That, and it doesn’t hurt to have subliminal associations with the Grey Lady!

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MY CONTRIBUTION?

Last year, Shaw contacted me and at the same time as describing Bag’s sweeping changes asked me if I’d come on-board as a contributor.

Writings on US prisons here on Prison Photography will be cross-posted to the Bag in order to bring images and issues of America’s prison industrial complex to a wider audience.

I’ve a got a couple of posts coming up this week so stay alert for those and for all that the Bag offers consequently.

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