As you know, I’m a great admirer of photography programs and mentorships for youth. Expression in the arts gives children their voice. I’ve even wondered if the empowerment provided through self-representation could benefit prisoners.
There exist dozens of important non-profits and volunteer programs helping youth of all backgrounds, including at-risk youth, to tell their stories through photography.
Organisations such as Youth in Focus, Seattle; AS220 Youth Photography Program, Providence, RI; New Urban Arts, Providence; First Exposures by SF Camerawork in San Francisco; The In-Sight Photography Project, Vermont; Leave Out ViolencE (LOVE), Nova Scotia; Inner City Light, Chicago; Focus on Youth and My Story in Portland, OR; Picture Me at the MoCP, Chicago; Eye on the Third Ward, Houston; The Bridge, Charlottesville, VA; the Red Hook Photography Project, New York; and Emily Schiffer’s My Viewpoint Photo Initiative are exemplars of youth empowerment through photography.
One of the leading participatory photography bodies is Photovoice in the UK. It has 50 programs in 23 countries.
Simply and brilliantly, Critical Exposure – which was founded in 2004 – gives centre stage to Samera, one of the students. Watch it and celebrate the resilience and thoughtfulness of youth. It’s uncomplicated and effective storytelling, and you will be convinced of the undoubted value of these photography programs.
Samera is a compelling voice. After describing her own situation, she makes quite a simple request. She asks that schools within the same metropolitan area have better communication. She identified a fault in the system and she asked that it be fixed so others wouldn’t have to go through the same clumsy and disappointing mal-communications between Washington school district and a charter school. It’s a fair request.
Communities we shape for better, engender growth. Youths’ enthusiasm to be raised in an encouraging environment should not be neglected.