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It takes something special to jolt me from my ‘prison-photo-myopia’.
The European Prize of Architectural Photography has the most cohesive group of fine art photography winners and honorable mentions I’ve seen in the past five years. The theme was “New Homeland”. Each photographer has four prints as representative works and each mini-set is a treat!
You can browse the links provided below, but first see the 2009 Prize Winners Gallery.
Photographers formally recognised are Stephan Sahm, Tim Griffith, Jacky Longstaff, Freudenberger & Bachmeier, Kai-Uwe Gundlach, Frank Meyl, Szymon Necki, Menno Aden, Johanna Ahlert, Nicolas Briffod, Judith Buss, Walter Fogel, Andreas Fragel, Matthieu Gafsou, Benjamin Gerull, Juri Gottschall, Hanna Kohl, Shimizu Ken, Meike Hansen, Jonas Holthaus, Werner Huthmacher, Christian Kain, Sally-Ann Norman, Florian Profitlich, Andrew Phelps, Martin Richter, Martin Roemers, Michael Schnabel, Marcus Schwier, Michael van den Bogaard.
I was only aware of Fragel, Gafsou and Phelps previously.
I suppose if I were to push for a relation of any of these works to ‘Photography Within Sites of Incarceration’ I would want to begin a dialogue on Sahm’s Hamster-Pop representations of confinement. Sahm was the grand prize winner.
With Jurgen Chill winning two years ago, and the presumed associations of borders and immigration within the theme of “New Homeland”, the European Prize of Architectural Photography apparently rewards photography that emphasises the psychological impact of architectural forms on its users/subjects – in which, notions of containment and non-containment are central.
I am aware Prison Photography has been preoccupied with fine art depictions of prison space recently and I intend to redress this genre imbalance in the coming weeks with more documentary works.