‘Digging into the strata of junk, he found more black-and-white mounted photos, some of them under a broken-down convertible that was one of several cars abandoned in the warehouse. He found the young Jesse Jackson preaching, Dizzy Gillespie playing his trumpet, and four black men—photographers apparently, from the cameras on display—sitting on the concrete front steps of the South Side Community Art Center. […] There was a box filled with negatives in labeled envelopes. There were negatives of Dr. Martin Luther King Jr., negatives of Abbie Hoffman, negatives of Lyndon Johnson. Next to this box was another one that was full of invoices; their letterhead said HOWARD SIMMONS.’ (Story)

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