I posted an image of Mathieu Pernot‘s earlier this week, but I thought his work was so novel it required a post of its own.
Les Hurleurs (The Howlers) – completed between 2001 and 2004 – is a series of photographs of people screaming to detainees in three prisons – Les Baumettes, Marseilles, France; Avignon Prison, France (which is now luxury apartments); and the Unidad Hospitalaria Penitenciaria D’homes, Barcelona, Spain.
Pernot “portraits” are surprising more than anything else and – for me at least – touch upon the diminished possibilities of family and friends when someone close to them gets locked up. The severance, deserved or not, results in desperate and almost pitiful tactics by Pernot’s subjects. Indeed, these images are meant to be seen alongside Pernot’s other series Panopticon which takes a documentary view of structures of the carceral “machine”.
Pernot’s work is intelligent in that it shows both sides of the experience and the deafening silence of his interior prison shots are roundly supported by the unheard vocal efforts of Pernot’s subjects.
View the full set here.
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March 25, 2010 at 6:12 am
Dan
Thank you for this. These pictures are moving to tears. We’ll share them with Women In and Beyond the Global Prison folk today.
February 12, 2011 at 2:21 am
A Brief History of Prison Photography « Prison Photography
[…] Bick (Netherlands), Juergen Chill (Germany), Matthieu Pernot (France and Spain), David Moore (London, UK) Danilo Murru (Sicily and Sardinia); Lizzie Sadin […]
March 28, 2012 at 9:29 am
Prison Photography: An Interview with Pete Brook | Feature Shoot
[…] noble depiction of America’s aging prison population and Prison Hospice at Angola Prison, Mathieu Pernot for his clever look at family members “howling” over prison walls in Barcelona and […]
April 29, 2015 at 1:31 pm
That One Time Photographer Grégoire Korganow Was Made an Inspector of Prisons in France | Prison Photography
[…] prisons. Nothing as engaging has emerged since Mohamed Bourouissa’s Temps Mort, Mathieu Pernot, Les Hurleurs, and (going way back) Jean Gaumy’s Les […]