Photobloggers have come out in force to deliver their tributes to photographers doing significant work. These sprawling congrats are congealing into a tasty list of practitioners who exhibit cunning, skill, bravado and novelty in their approach and product.
Colin Pantall began all these shenanigans fresh from a summer of non-blogging and sipping fines teas. He says these photographers are leading us toward “a brave new world.”
Joerg has listed the names put forward so far:
Some superb photographer and photomanipulators. I wholeheartedly agree with choices Broomberg & Chanarin and Geert van Kesteren who have cleverly worked with archives and cell phone wartime images respectively.
I’ve got six on my list.
I’ll be another to name Mishka Henner. I think his time has come. Bound to wind a few folk up, he at least steps forward to defend his use of satellite, GSV and Google Earth images. He’s forcing everyone past the unnecessary reverence we have for images as single art objects and imaginatively pointing out the visual cultures all around us.
Henner does not lazily appropriate and his next series (which I’ve seen snippets of on his iPhone) is a robust political critique of humans’ abuse of the environment. And then there is Photographers, a 10 minute montage looking at photographers on the silver screen. Surprising, fun, entertaining.
I also saw Rich and Poor at Pier24 recently and was left angered and energised; the best possible reaction to art.
Jim talked about his reasons for revisiting old work including the legendary Raised By Wolves with TIME’s Lightbox this week:
“The children in Raised by Wolves were living hard lives—lives that were leading to nowhere. So now, when I reheard a recording that Brandon the intern had found in some box, and I heard the voice of, lets say, Tweeky Dave, well that added something that would extend to the viewers experience of the project.”
It’s pretty ballsy to hand over the reigns to the intern! But great product.
Alyse Emdur‘s name on the list reflects my interest in prisons, but I was impressed by her Photograph A Recruiter before she got neck deep in the visual culture of incarceration. Emdur’s correspondence with hundreds of prisoners and their donated prints reveal a specific, a widespread, but a little seen genre of vernacular American photography.
Her book is just around the corner! My interview with Alyse.
Alixandra Fazzina is one of the least self-promoting documentary photographers I know. Her work about Somali refugees A Million Shillings – Escape From Somalia is one of the best pieces of social reportage from Africa in this century and the last. And the book is beautiful.
The Instagramer. I’m being contrary with the inclusion of Peter DiCampo on this list, but he is young, using Instagram, and less well known than other famous photographers such as Kashi, Stanmeyer and Pinkhassov making images with their phones.
No need to argue anymore; cell phones allow us to share images instantly and there is an inherent worth to that. Peter DiCampo represents that seismic shift we’ve yet to get to grips with. See his Everyday Africa project.
A woman hangs laundry in Takira, Uganda on May 29, 2012. © Peter DiCampo.
Another recent discovery, Tomoko Sawada is a self portrait specialist. I spent ten minutes in front of Recruit/Grey knowing that they were all images of her but still unwilling to accept it. She’s a grand manipulator in the quietest way; a refreshing tonic to Cindy Sherman.