LAT

Prison Obscura got a nice review by Carolina Miranda in the Los Angeles Times.

An excerpt from Gut-wrenching photo evidence from Brown vs. Plata in ‘Prison Obscura’:

Perhaps most gut-wrenching is the series of pictures generated as evidence for the case of Brown vs. Plata, a class-action lawsuit against the state of California, related to issues of access to medical care and serious overcrowding in the state’s prisons. The case made it all the way to the U.S. Supreme Court, which ordered California to release 46,000 inmates in order to relieve conditions.

[…]

“[Prison Obscura] is aesthetically beautiful and challenging, and it’s didactic without being patronizing,” says Juliet Koss, who is the director of the Humanities Institute at Scripps. “But it also ties into what we are doing in the Institute. The theme for the semester is ‘silence’ and this was an interesting way of exploring that: of people who have been silenced or the general silence that there is about this topic.”

An absolute honour to have the attentions of critic Carolina Miranda, whose writings and focus on the vernacular, on everyday creativity and on pursuits of beauty and meaning beyond the restrictive parameters of the art market, I have long admired.

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