In the past when I have discussed prison Polaroids, I have said they are perhaps one of the more significant subsets of American vernacular photography, and that they are not easily found online and that, due to their absence, our perception of prisons and prison life continues to be skewed.
Well, times change and that position now deserves correction. I have noticed a few collections coming online recently. Not least the Polaroids from Susanville Prison on the These Americans website. (Also, check out the new PRISON subsection of the site.)
Online, I have identified some increase in the number of contemporary prison visiting room portraits and, as in the case of These Americans, collections of older, scanned images.
I would suppose that many Facebook users have scanned visiting room portraits and added them to profiles but, only visible to friends, those social network image files have not been reproduced for public consumption or commentary. We might think of Facebook photos and albums as digital versions of the mantlepiece, i.e. seen only by close friends and family.
“Prisoner-complicit” portraits (for want of a better term) are taking up a lot of my thoughts currently.
Yesterday, I had a workshop with the #PICBOD students at Coventry University, in which I assigned readings on Alyse Emdur’s visiting room portrait collection, prison cell phones as contraband, prison cell phone imagery as cultural product, a new Tumblr In Duplo that compares publicly available mugshots with publicly available Facebook profile pictures, and the racket that underpins the posting and removal of mugshots to the searchable web.
Particularly with cell-block-cell-phone images, we should anticipate a glut of prisoner-complicit photos in which prisoners – to a greater degree – self represent.
We should realise that this is the first time in modern history that prisoners have presented themselves to the internet and thus permanently to the digital networks of the globe. My hunch is that this may be significant, but really, it’s too early to tell.
We can note that in this video, most of the images seem to originate from the same cell phone camera in the same prison. We might surmise there is no epidemic of illicit and smuggled images yet. To further this inquiry, I hope to get some information from the maker of said video.
In the mean time, I’ve been in touch with Doug Rickard who administers These Americans as well as the wonder-site American Suburb X. I asked him about his recently published Susanville Prison Polaroids:
Any idea who took them? (any marks/prison-stamps on verso?)
Probably a visitor or another inmate? I have a set (10 or so) of the main inmate (“Johnny”) that you see in many of the “Susanville” single poses, posed with “Brown Sugar” (his girlfriend/wife) and his son “Champ”, a boy that grows from 1-3 years old in the various pictures (see below).
What years do you think they span?
I can only find one date, 10-24-80. You would think that they were 90′s, but for sure, it says 80.
What makes this collection so fascinating to me is that the operator(s) appears to have had free reign of cells, tiers and the yard to make these single and group portraits. One of the PICBOD students at Coventry today wondered where their supply of Polaroid film came and then to where the images were eventually dispersed outside the prison.
We could only conclude that this prisoner and his group of friends had special privileges and access. From all of my research into (vernacular) prison photography – specifically prisoner-made photography – this sort of arrangement/privilege does not exist in American prisons today.
MORE ON THESE AMERICANS
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Thanks to Peg Amison for the tip.