There’s a long and verbatim interview with my friend Bob Gumpert at Sojournposse. Salina Christmas and Zarina Holmes ask the questions.
Bob describes the arc of his work from labor to detectives to street cops to the courts to the jails. It’s a trajectory he has described to me before and it’s a lot to get hold of; I’m happy I wasn’t transcribing!
However, I’d never heard Bob tell this particular tale:
The rule was: “Ladies, I take a photo [of you], you tell me your story. Next week, I give you four photos.” Literally, I give them four photos. “And I put the CD in your property.” So that’s the way it works.
The women took the photos and sent them to their boyfriends in [other] jails. The prison didn’t like this. Why? I don’t know. It’s not a problem when the men down [the jail] do it. But when the women did it, it was a problem. Do I understand why? Do I make an issue out of it? No! But what happens? I get banned from the jail. Because the women did it.
So then I went back and I said: can we try again? The jail said yes. So long as they understand the rules…
So I said fine. I went back. And I explained all this: “I give you photos. You can send them home. But you cannot send them to the jail.” All the women said, “No problem, we understand.” They sent them home with instructions to send them to the jail. From home. Why? Because they weren’t sending them to the jail.
So, what happened? I got banned again. So I get back in and I said to the women, “You cannot send anything, any of these photos, in any form, from any place to the other jail.” And a woman raises her hand and said, “Can I have Xeroxes made of photos, instead?” And I said, no, you cannot. And I stopped going in. Because it was – at some point – if I kept going in, a problem.
UPDATED: Bob soon after returned to the jail to work with female prisoners.
I have often described photographs in prisons as emotional currency. The tenacity and single mindedness of these female prisoners is, to me, quite amusing. They’re resolute in how they want to use photographs, and the variant ways they circumnavigate an unenforcable rule trumps any analysis they make of the rule itself.
They’re just trying to connect … but it caused problems for Bob!
Another thing to negotiate when making photographs in sites of incarceration.
Bob Gumpert’s website Take A Picture, Tell A Story
4 comments
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June 6, 2011 at 11:35 am
Robert Gumpert
Pete
Your edit has left the impression that I am banned which I am not. The rest of the story is: a work around was reached that satisfied everyone. It was also a story about the differences of working with women and male prisoners and the different obstacles that arise. As I said to the women at the time, it doesn’t matter why this is the rule, or if you or I understand it – either photos are not sent to other jails or they are not taken. Under those conditions I am again doing the project in the women’s jail.
June 6, 2011 at 11:41 am
petebrook
@Bob. Updated the post to reflect this.
June 6, 2011 at 4:45 pm
Zarina Holmes
Thanks for this post, Pete. As Bob correctly observed, the woman lives in two worlds. Same rules apply inside and outside of incarceration.
Our interview with Bob was a great insight into how to observe and document individuals by their roles and place in the society, in addition/as opposed to talking about the surrounding issues.
It was truly fab to have him over in London to share his work with us.
June 7, 2011 at 7:12 am
Steve Davis
Great post. From my experience with incarcerated teens, this idea of photography as emotional currency is monumental– I’ve never seen anything like it. I would not quite appreciate the significance of your post if I hadn’t experienced similar stories.