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Jon Lowenstein

This is the third and final post about Photoville. We’ve had the beginning, the middle and so now, the end.

Of the two dozen photographers in the show, only three had actual objects (Sye Williams’ darkroom prints, Jane Lindsay’s bottle caps and Deborah Luster’s tintypes). Given the cost and hassle of shipping, it was decided that the re-used Noorderlicht exhibition prints would not be returned.

I was given instructions to destroy all prints.

It occurs to me that a lot of people don’t talk about this aspect of contemporary exhibition-making. It’s not really sad to see them go, because they never belonged to anyone. They only belonged to the show. And besides, knowing they were to be destroyed, I put most of them up with double sided sticky tape, so there was no preserving them after that ultra-adhesive abuse anyway.  Super-strong magnets are hardly kind to bare prints either!

We do plan to travel Cruel and Unusual (make Hester, Noorderlicht and I an offer!) and as such we’ll see shiny versions printed again.

Until then, think on these images of photogaeddon, wanton destruction and image massacre.

Araminta de Clermont

Stephen Tourlentes

Jenn Ackerman

Steve Davis

Richard Ross

Jeff Barnett-Winsby

Tim Gruber

Yana Payusova

Lori Waselchuk

Joseph Rodriguez

Adam Shemper

Sean Kernan

Marilyn Suriani

Scott Houston

Lloyd Degrane

Harvey Finkle

Lizzie Sadin

Nathalie Mohadjer

Brenda Ann Kenneally

Alyse Emdur

Tommy and Joe. © Roger Kisby

Roger Kisby, a NYC-based photographer and a friend of a friend, and I chatted briefly during my recent trip to New York. He mentioned he had photographed some prisoners.

It wasn’t your typical situation. Roger decided to get out from under his contract work and leap into the unknown with a road trip. It was intended to test his skills, hone his techniques, and grow his portfolio.

Judging by the results – showcased today on The Awl – Roger succeeded. I like the diversity of personalities in the edit and I like the fact a prisoner double portrait slips seemlessly into the selection too. On this American holiday, it seems a fitting bunch of Americans – of all shapes and stripes (excuse the pun) – to reflect upon. Prisoners are us.

QUICK Q&A

Some photographers are shy about approaching strangers to make portraits. Was this ever a problem for you? Was this any different when approaching inmates?

To some degree, I am always nervous about asking a stranger for his or her portrait. If there wasn’t that element of getting over my fear I don’t think I’d get as much satisfaction as I do when I get a good portrait. It helped that I had a quick pitch about my road trip project. Most people were receptive to it and those that weren’t simply said no and that was that. Even with the ones that said no I still had good conversations. That was the point of the project; for me to engage with people along my trip.

In this case with Tommy and Joe, I was driving out of Marfa, TX when I saw them. I remember distinctly having a conversation with myself about whether I should turn around. I didn’t know if I was legally allowed to take photos of prisoners. I didn’t know how the inmates would react. I didn’t know if it was safe. Ultimately, I realized it would have bugged me for the rest of the trip if I didn’t at least try.

What were they doing?

As I walked up they were doing some grounds-keeping in front of the courthouse. They had someone monitoring them but it wasn’t a guard. Or at least he didn’t seem like one to me. It all seemed very relaxed except for the chains around their ankles.

What do you think they thought about having their picture made?

I wasn’t sure who to ask so I directed my question to all three. The monitor gave permission and the inmates were very much into the idea. I went back to my car grabbed my camera and set up. I tried to work quickly to not take up too much of their time which in retrospect seems silly now; they obviously had time and were happy to do the photos. Honestly I think I was just nervous.

Did you get any of their story?

A little. Tommy had 9 months left for possession. Joe mentioned something about being deported and had 6 months left on an 8 month sentence. One thing I loved was they both asked me if I could send copies of the photo to their moms and gave me their addresses. Which I am doing.

– – –

Roger Kisby is an editorial and portrait photographer who lives in Brooklyn. You can see more road trip photos at his Tumblr and on Instagram. You can also follow him on twitter.

EMAIL

prisonphotography [at] gmail [dot] com

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