The dining room. © Mariam Amurvelashvili
Mariam Amurvelashvili, a Georgian photographer has been documenting lives inside Georgia’s prisons since 2004.
She has not, however, the author of images of beatings and rape that surfaced in the past month, sparked protests among horrified citizens, forced the resignation of Georgia’s senior prison official, and rocked Mikheil Saakashvili’s government.
DOCUMENTARY vs. EXPOSE
I’ve argued in the past that the photo and video footage that changes a system is rarely that made by a documentarian. It is the expose, the surveillance tape, the illicit and leaked images that reveal to wider society the worst acts of closed institutions. Amurvelashvili’s work is interesting, concerned, but it doesn’t have a pointed edge.
This is by no way a criticism; it’s just worth considering how we think about images. I made a similar plea a couple of weeks ago when I asked how we should compare Michal Chelbin’s portraiture with mobile phone camera shots taken by Russian juvenile prisoners.
ABUSE REPLACES ABUSE
Amurvelashvili’s basic position is a simple one – that the deprivation of liberty by imprisonment is the greatest measure by which one man can punish another. I agree with her. Furthermore, the prison should not degrade the prisoner nor violate human rights with poor conditions, inadequate food or abuse of any kind. In 2004, Amurvelashvili reports, a Tbilisi prison held over ten times the prisoners than its design capacity allowed.
When Amurvelashvili began photographing Georgian prisons I expect she thought she was photographing the end of an era. The new prisons of a newly democratic Georgia could cleanse itself of it’s communist past and notorious prison archipelago. Unfortunately, the new super jails have engendered a more-exacted breed of violence.
Journalist Gavin Slade argues the roots to the abuse scandal are the associated policies of zero tolerance and mass incarceration pursued recently in Georgia which has one of the highest incarceration rates in the world – 531 prisoners per every 100,000 people.
Problems, summarised here, have long been rife throughout Georgia’s prison system. Beginning in late 2010, reports emerged of physical abuse. Ksani prison was under scrutiny by the Georgian Public Defender’s Office in 2011 for poor treatment of inmates.
Newer facilities such as Ksani prison, says Amurvelashvili, were designed to be sanitary, have adequate healthcare, libraries and family visitation. And yet, last month’s torture scandal within Ksani proves that care for prisoners extends far past concerns about conditions and to the philosophy of leadership and the break-down of discipline among the staff. Ksani was a hell hole.
Listen to this interview with a prisoner who was beaten and electrocuted in Ksani Prison.
Ksani prison. © Mariam Amurvelashvili
If an authority cannot control nor redirect its prison population into productive activities, the prison is likely too large. It is probably overcrowded, too. State authorities need to understand that better conditions in prisons reduces crime. Reduce populations and pursue alternatives to incarceration. And find leaders with moral fibre.
AMURVELASHVILI ELSEWHERE
Bigger images here, and featured portfolios on Georgian Photographers website here.
Conscientious likes Amurvelashvili’s Dukhobors a portrayal of a Christian sect in Georgia/Russia. Fotovisura has a gallery of her photos of animal sacrifice and behind bars.
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October 24, 2012 at 12:04 pm
John Wedgwood Golden
I could not agree with you more Pete. Keep in mind America has a prison population of 750 per 100,000 compared to 531 per 100,000 in Russia. We must also remember that every penal system is a reflection of its host street society.
October 24, 2012 at 4:54 pm
jayson
I’m an ex-con myself. Speaking from prior experience, the SHU and the CDCR is a crock and a money maker. In the SHU you are slammed down 24 hours a day. I don’t care what the CDCR says about giving you 7 hours a week outside – it’s not true. You see and wait who’s coming and who’s going, day after day, hour to hour. Your mind must stay focused. Everything is routine. Like in the military, eyes and ears are open all the time, but the mouth stays shut.
One word to describe Pelican Bay is dungeon! I remember being in the hole in Folsom slash shut overflow. In 2005 the guards were feeding us our chow on paper plates and the portion was so small I wouldn’t feed it to my dog. We asked the administration several times for full portions. They were violating our rights with poor showers hygiene too. Finally, the assistant warden told us that was that so we took it upon ourselves to do what we had to do. Six of us boarded up our cells and they called in the goon squad to gas us out. We flooded five tiers with water from our toilets and sinks. It took them hours to get us out. They came with c505 gas. We weren’t going out without a fight. There was no way you could get physical with the guards because you couldn’t see anything because of the gas.
Ultimately, we won the war having to sit outside in a steel cage for the whole night – in boxer shorts – in the middle of November with temperaturs at about 40 degrees. But we got the food we were rightfully entitled to after that. why couldn’t have they just done it in the first place?
October 28, 2012 at 9:25 pm
brendan
One other angle, in addition to your thoughts on Amurvelashvili versus surveillance footage, is how the public reacts to images regardless of the source. I don’t have any insider knowledge but it seems pretty unlikely Saakashvili had much to do with the prison system in his post-Soviet plutocracy cum fledgling land of law. From an outsider’s perspective the recent Georgian elections were indeed rocked by revelations of inhumane prisons, but was the mass reaction to the horrible truth the emotional fury which forced a hardline reformer from his pedestal to make way for a Russian oligarch?
If so the real question is why the thoughtful meditations represented by Amurvelashvili can so easily be overrun by the boiled blood of leaked abuse. Are we the people really so untrained that we explode with every new spectacle instead of find their place in the long line of history and the images which have defined them?
Sadly I think there’s plenty of evidence the world over to suggest so.