Photo: Mimi Plumb. Anonymous man. Do you know this man?
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During the summer of 1975, Mimi Plumb spent months in the Salinas Valley, watching farmworkers make history.
“I traveled up and down the valleys of California photographing the young men living in farm labor camps, in chicken coops and under the sky, the children and adults working together in the fields, and the United Farm Workers Union (UFW) organizers and volunteers listening and talking with farmworkers about how elections in the fields might change their lives,” says Plumb.
Plumb shot dozens of rolls of film, which she developed at the time and made prints. But she didn’t show them much except for in the UFW field office and in an SFAI (San Francisco Art Institute) exhibition. A few images appeared in newspapers at the time.
Almost 40 years later, after her retirement from teaching, Plumb pulled the negatives and old prints from their boxes and started to put together the pieces. (An edit Pictures From The Valley is on her website).
It is an exhilarating re-emergence.
Camp Roberts. The weather had turned warm, and by noon the temperature topped 100 degrees. The marchers stopped for a rest at Camp Roberts, a former Army training center just off Highway 101. Chavez was always using his time to organize – whether he was in motion or sitting still. He posed for photos with groups of workers from each of the ranches — the hand sewn banners forming a good backdrop. Photo: Mimi Plumb. Caption: Miriam Pawel.
The photos are rich and pregnant; they deserve so much attention. And they get it. The California Humanities, a non-profit partner of the National Endowment for the Humanities, with help from the Center for Community Advocacy and the National Steinbeck Center, produced and funded efforts to identify the people in Plumb’s photographs and to seek out their stories.
The result is Democracy In The Fields, a visual record paired with oral histories. It’s the history of popular movements mixed with anthropology mixed with the history of labor. I love the way photographs have been leveraged here to shape a collective story that would otherwise have been dissipated and drowned out.
Among the subjects are Rosa Saucedo, Jose Renteria, Mario Bustamante, Alberto Magallon, Sabino Lopez, Celestino Rivas, Ricardo Villalpando, Cesar Chavez and the Amezcua Family.
Many of the people in Plumb’s photographs were identified by journalist Miriam Pawel who has written extensively about Chavez and the history of the United Farm Workers union. Together, Plumb and Pawel met with groups of former farmworkers who had been in Salinas in 1975.
“Children saw pictures of their parents as young adults for the first time. Grown men who had no photos of their fathers found them in Plumb’s images,” says the Democracy In The Fields website.
The faces in the images are luminous. Time and time again, there’s huge joy among the workers. Did they know they were marching to victory? Despite the grave consequences at stake, the workers and protesters seem unencumbered by the repsonsibility. The marchers particularly look as if they’re relishing ever purpose-defined moment.
The Teatro Campesino performed skits at the Potter Road Labor Camp. Photo: Mimi Plumb.
UFW Field Office. Photo: Mimi Plumb.
Photo: Mimi Plumb.
In the summer of 1975, with only months to prepare for the first elections in the fields, dozens of farmworkers who had demonstrated leadership were tapped by the UFW to leave their jobs in the fields and work for the union for ten weeks. Rosa Saucedo, a 21-year-old in the lettuce fields, was one of 40 hired in Salinas. Each was assigned specific companies. Rosa’s job was to win over workers at D’Arrigo, a large vegetable grower where the UFW was fighting the Teamsters. She was interviewed in Spanish by journalist Bob Barber in the midst of the campaign. Photo: Mimi Plumb. Caption: Miriam Pawel.
Photo: Mimi Plumb.
Jose Renteria mans one of the election booths. When the votes were counted, the UFW won a big victory – 188 votes to 84 for the Teamsters and 4 for No Union. Photo: Mimi Plumb. Caption: Miriam Pawel.
Journalist Bob Barber was conducting interviews in 1975 in the fields. Tapes from his archives provide audio on the website. Plumb and Pawel also conducted their own interviews in recent years. Wendy Vissar finessed the workers’ stories into a digital form.
“Celestino, Ricardo, Rosa and Chuy often included me in their daily rounds, from the fields and camps to Maria’s kitchen table,” writes Plumb. “The UFW field offices were a hub of activity, of nightly meetings, and frequent visits from the union president, Cesar Chavez.”
Farmworkers listen to Ricardo Villalpando, who worked tirelessly to persuade others that supporting the UFW was the path to a better life. He went wherever he had to in order to talk to workers in small groups—buses, the fields, labor camps, apartments. Photo: Mimi Plumb. Caption: Miriam Pawel.
‘With the Virgen of Guadalupe Leading the Way’. Every day, Chavez walked between ten and twenty miles. On July 28, the marchers reached San Lucas, where Chavez held the first evening rally in the Salinas Valley, in a small wooded grove on a makeshift stage. The next morning, the marchers set off again, heading for King City. Photo: Mimi Plumb. Caption: Miriam Pawel.
“On June 5th, 1975, the California Agricultural Labor Relations Act (CALRA) became law,” explains Plumb. “In July and August of 1975, Chavez led a 1,000 mile march, to help bring attention to the landmark statute recognizing the right of farmworkers to vote for union representation. The first farmworker election was held on September 5th, 1975 with a vote of 15-0 for the UFW.”
What an incredible project.
It takes a while to meander through the history and the people involved in the movement, but it’s a rewarding wander.
Photo: Mimi Plumb.
Photo: Mimi Plumb.
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For more images and info visit Mimi Plumb‘s website and the Democracy In The Fields website.
The project is ongoing. You can help identify people in Plumb’s pictures!
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October 31, 2017 at 5:34 pm
Mimi Plumb’s Photos Of Childhood and Soul-Crushing Suburban Growth in the Seventies | Prison Photography
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