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(Untitled) © Petey, 2016. From the Humanize the Numbers Workshop.

 

In the Exposure Magazine interview It’s Time to Talk Social Justice, Isaac Wingfield lays out the strategies, challenges and successes of facilitating a joint prisoner/college student photography workshop in prison.

Through the support of the University of Michigan, Wingfield coordinates the Humanize the Numbers project, which began its work in late 2015 at the Thumb Correctional Facility and has since moved to another prison after a leadership change at Thumb.

Humanize the Numbers began from a conversation with the incarcerated men about what they wanted their photography to do. Suspecting that many representations of prisoners dehumanize, they wanted to change the script; they wanted to take the unfathomable and depressing statistics that dominate commentary about prisons, locate their position in relation, and then go beyond mere numbers. The men wanted to focus on the personal and the individual. They wanted to be accountable and to represent to themselves.

There’s a lot of common sense in the article. Wingfield covers everything from diligent planning, to acknowledging that the department of corrections is a key partner. From understanding that any in-prison program is vulnerable to abrupt changes of rules by prison administrators, to an honesty that Michigan students gain as much through the program than the men on the inside.

Critically, Wingfield and his collaborators discussed who their audience was. They decided to get the work into the hands of lawmakers in Michigan. Having that intention can direct and galvanize art making. Below, in italics, I’ve pulled what I believe to be the article‘s most important talking points and points of departure for further discussion.

“Skill building with cameras was popular among a group that was mostly preparing for reentry, but telling personal stories was more important among a group of lifers.”

“I wanted to avoid the traditional service-learning dynamic with students coming in to serve a needy population by providing something that well intentioned outsiders (professors or students) thinks the community needs. Power relationships are often neglected in these traditional service-learning courses…”

“This project is ultimately about humanizing people, acknowledging their individual stories and skills. If that doesn’t happen in the workshop itself, how will it ever happen when the resulting photographs make their way beyond the workshop?”

“It is helpful to recognize the lurking collaborator in the project: the MDOC is often silent participant but still an essential partner.”

 

In-process workshop, courtesy Humanize the Numbers.

(Untitled) © Jamal Biggs, 2016. “Me along with my brothers and cousins when we were younger. Half of them have since passed away at young ages. Of the others still living, only one of them has remained in contact with me since my incarceration. The pain and blessing of prisonseverely straining and often severing family relationships, but also giving me time to grow up and saving me from the same fate of dying young which has befallen my other family members.” From the Humanize the Numbers Workshop

In-process workshop, courtesy Humanize the Numbers.

 

“After discussion in one workshop about the intended audience for their photographs, we mailed photographs to two Michigan advocacy organizations, the MDOC Director and to every Law and Justice Committee member in the Michigan state House and every member of the Judiciary Committees in the Michigan state House and Senate. […] we never saw any responses from the policymakers who received images, [but] simply getting the images in front of them and sharing the perspective and the stories of the incarcerated men from the workshop made it a success.”

Despite only positive feedback “the new warden unexpectedly denied our request for a third workshop […] a few weeks before we were scheduled to start I was on the search for a new facility to host the workshop/course.”

“For those students (and there are many) who have never seriously considered the criminal justice system, getting to know the men inside the system is perhaps the most transformative part of the course.”

 

Read and see more: It’s Time to Talk Social Justice: Isaac Wingfield & the Humanize the Numbers Prison Photography Workshop

Visit the Humanize the Numbers website.

 

For the purposes of social media, I highlighted these same main talking points in a Twitter thread too.

 

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For a short run, Prison Obscura is on show at the University of Michigan. We installed in a marathon effort this week and opened yesterday. You have until 24th September to catch it!

Most proud of my installation of Brown/Coleman v Plata evidence images (above). The gallery has huge front-facing windows, I had 400+ pages of court documents!

Official installation shots are to be made next week, but I wanted to get this announcement up.

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I’m also talking today:

 

CURATOR TALK / SYMPOSIUM

Friday, September 11, 1:00 – 4:00pm

Curator Talk followed by symposium Carcereal Visions: The Prison as Image/Object/Limit. A round table discussion featuring UM faculty Amanda Alexander, Ashley Lucas, Carol Jacobsen, Reuben Miller, Ruby Tapia, Heather Thompson, Isaac Wingfield.

WHERE TO GO?

Duderstadt Center Gallery
North Campus
2281 Bonisteel Blvd
Ann Arbor
MI 48109
Hours: Noon – 6pm, Mon-Fri, Noon – 5pm, Sun.

BLURB

Alyse Emdur’s collected letters and prison visiting- room portraits from across the nation and Robert Gumpert’s recorded audio stories from within the San Francisco jail system provide an opportunity to see, read and listen to subjects in the contexts of their incarceration. Juvenile and adult prisoners in different workshops led by Steve Davis, Mark Strandquist and Kristen S. Wilkinsperform for the camera, reflect on their past, describe their memories, and represent themselves through photography.

Prison Obscura moves from these intimate portrayals of life within the prison system to more expansive views of legal and spatial surveillance in such works as Josh Begley’s manipulated Google Maps’ API code and Paul Rucker’s animated videos, which offer a “celestial” view of the growth of the prison system.

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Installation shot of Paul Rucker’s Proliferation

BIG FIVE

U-Mich is the fifth venue for Prison Obscura, after outings at Haverford, Scripps, Rutgers and Parsons.

LIL’ HELP

Prison Obscura is a traveling exhibition made possible with the support of the edits John B. Hurford ’60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Havorford College, Haverford, Pennslyvania.

It is sponsored by the University of Michigan’s Departments of Women’s Studies and English, Institute for Research on Women and Gender, Prison Creative Arts Project, Institute for the Humanities and the LSA Dean’s Office.

Also, the U-Mich campus is architecturally trippy. Here, the Lurie Tower which wouldn’t be out of place on a sci-fi movie set.

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INFORMATION

Contact Ruby Tapia, Associate Professor of English and Women’s Studies, at rtapia@umich.edu, or Kathi Reister, Gallery Coordinator at kreister@umich.edu

EMAIL

prisonphotography [at] gmail [dot] com

@BROOKPETE ON TWITTER

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