
Samuel F. B. Morse's Daguerreotype Equipment, by Thomas Smillie, 1888, Smithsonian Institution Archives

Little Electric Chair (Detail). Andy Warhol, 1965
Merry A. Foresta, Director Smithsonian Photography Initiative, informs,
When I saw the deathly familiar blue of Smillie’s cyanotype, I was thrown back to the electric hues of one of Warhol’s many electric chair prints.
From the rarest, unique image to the mass produced commodity. Both images of apparatus; both apparatus a steal on time and both definitively (institutionally) American.
The Smithsonian has operated Click! Photography Initiative for a couple of years now. They publish sporadically on The Bigger Picture Blog with a variety of essays about every imaginable application and interpretation of photographic culture in society. Contributors include high school kids to photography greats such as Robert Adams and a wealth of respected curators and educators including Wendy Ewald and Sandra Phillips. There’s even space for you if you wish to try you hand.
The project also nudged me back into the mind space and work of Bay Area heroine Carla Williams. Read her blog and your life will be better.
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