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Bilingual Signs © Andreina, IDRA/Albuquerque Public School District, Critical Exposure Photography Project

Images Unseen, Images Unknown written by a guest blogger on Prison Photography last week was well received by readers, provoking more questions and some intriguing possibilities.

Change.org offered a synopsis of the article. Change.org focused on the concluding points of Images Unseen, Images Unknown which described the culture of shame shrouding California prisons created by the control of images and manipulated invisibility.

Too many prisoners are hidden from view to serve out their time. Many prisoners refuse visits from family because they don’t want loved ones to see them in institutions that deny them individuality, work to subdue the general population, hide prisoners from society, and keep them docile.

So, the issue of self-representation and empowerment arises. Specific to my interest would be the possibilities of empowerment through photography.

Recently, Stan Banos asked me, “Are you aware of any photography programs in prison for prisoners.”

My answer, in short, is no. This doesn’t mean they don’t exist, it just means for all my searching I have unearthed nothing.

Art therapy has been explored among prison populations and recently San Quentin piloted it’s first ever ‘Film School’. The project did many things at once, teaching inmates the technical skills of documentary film making, building team work and trust; and it allowed inmates to communicate narratives of their choosing from prison life.

Inmates documented the work of the prison nurses distributing medications; filmed the prison kitchens; recorded the “wasted talent” of artists, musicians and writers within San Quentin; and studied American Islamic faith in prison.

With that in mind, we can say empowerment through the arts has been well explored and apparently successful in a number of penal institutions. However, it would seem photography in prisons has not been used as a tool for self-representation and rehabilitation … yet.

Turn Away © Stephene Brathwaite, Red Hook Community Justice Center Photo Project

Turn Away © Stephene Brathwaite, Red Hook Community Justice Center Photo Project

The model for this type of program exists. Dozens of important non-profits use photography as a means for at-risk-youth to tell their stories. Organisations such as Youth in Focus, Seattle; AS220 Youth Photography Program, Providence, RI: Focus on Youth, Portland; New Urban Arts, Providence; Critical Exposure, Washington DC; First Exposures by SF Camerawork in San Francisco; The In-Sight Photography Project, Vermont; Leave Out ViolencE (LOVE), Nova Scotia; Inner City Light, Chicago; My Story, Portland, OR; Picture Me at the MoCP, Chicago; and Eye on the Third Ward, Houston; The Bridge, Charlottesville, VA; and Emily Schiffer’s My Viewpoint Photo Initiative are exemplars of empowerment through photography.

The Red Hook Photo Project New York offers photography opportunities specifically to a community blighted by crime. The photo project is run by the Red Hook Community Justice Center which operates many programs to improve the lives of teens within the geographically and socially isolated Red Hook Neighbourhood.

Only slight tweaks would be necessary to these types of programs for them to be effective as rehabilitative tools among prison populations. The central driving philosophy is to offer individuals a method of self-representation they’ve never been afforded previously.

A Backwards Eye © Gwendolyn Reed, Red Hook Community Justice Center Photo Project

A Backwards Eye © Gwendolyn Reed, Red Hook Community Justice Center Photo Project

It seems the main factor, aside of funding, for rehabilitative programs establishing themselves in prisons, is the philosophy of individual wardens. San Quentin Film School was pitched repeatedly across 47 states until Warden Robert Ayers decided to launch it at San Quentin. Likewise Burl Cain, at Louisiana State Penitentiary (Angola) has become well known for maintaining a varied roster of programs to keep inmates occupied. They include the renowned (and ethically questionable) Rodeo, an American Football league and a hospice program in which inmates volunteer to carry out the palliative care tasks.

On this evidence, it would make sense that criminal justice reformers and those interested in increasing the visibility of prisons should actively seek out wardens currently supporting novel, or even pilot, projects. Wardens currently accommodate programs in education, the arts, dog-training, first aid, video and much more. Photography could be added to that list.

There is a lot of mainstream media programs featuring American prisons – Lockdown, Americas Hardest Prisons, Inside American Jail – but of course these are all made for cable distribution and ultimately profit; their common denominator is a heightened sensationalism.

© Wayman, Inner City Light Student Photography Project

© Wayman, Inner City Light Student Photography Project

Documentary projects upholding rehabilitation and education as their core purpose are a distinctively different type of exposure. There would be no need for regional or national television channels to provide financial backing as an end (marketable) product would not be the motivation. That said, if the narratives of such documentary projects could be shown to enhance the image of an institution the prison authority might be open to trying them. The prison warden has the decision making power, so if under a wardens leadership a prison is given (positive) exposure it makes sense that the warden would be interested.

All successful rehabilitative arts programs presumably share a cooperative approach from the outset. Wardens and authorities are not to be feared or misunderstood, but can be convinced, cajoled and open to novel suggestions and programs.

Matt Kelley has suggested that the criminal justice reform community take note of wardens who are open to more transparency within their institution. Could coordinated media access drive a movement against the “invisibility” of prisons in America today?

The ideal program I envisage, would have only a small operating budget allowing pre-screened inmates to learn the practical skills of photography and apply them for the purposes of self representation.

If San Quentin can mount a film school I am sure any prison in the future can develop a Photography School? What do you think?

I Reach © Stephene Brathwaite, Red Hook Community Justice Center Photo Project

I Reach © Stephene Brathwaite, Red Hook Community Justice Center Photo Project

Heidi Schumann for The New York Times

During the warm-ups, Ms. Barr asked the crew, "How cold does it have to be to get hypothermia? Only 50 degrees. But if you're cold you're probably not working hard enough." Photo: Heidi Schumann for The New York Times

Sunday’s depressing article in the  New York Times detailed the political battle in Sacramento to keep hold of California Conservation Corps (CCC) through this period of recession. Gov. Schwarzenegger wants to cut the program to eat into the $45billion deficit California currently bears. Interestingly, Jerry Brown – who initiated the program as Governor in 1976 – is one of the leading voices to save the CCC from the chop.

The Corps. offers low paid work, but work nonetheless, to youth who for whatever reason do not fit the typical work history. Consider not the gaps in your work history, but work histories in your gap! This is a program that considers the individual and not the CV first – which is truly noble these days. The Corps is an employment gateway and an opportunity for young persons to complete unquestionably worthwhile work.

California’s program is modeled on the Civilian Conservation Corps, which put three million young, unemployed men to work from 1933 to 1942. Last year, I may have argued that the model was out of date, but given recent twitter comparing today with the Great Depression, I wouldn’t now question programs indebted to good ol’ fashioned graft. Indeed for many work crew, this is one of the few structures of employment that makes any sense.

Heidi Schumann for The New York Times

Jason Prue, 21, said he was living as a drifter in an old Dodge Intrepid with a dog named Buddy before joining the corps. "I decided I needed to do something, to find a job I loved." Photo: Heidi Schumann for The New York Times

A California Conservation Corps crew repaired trails in Mount Tamalpais State Park. The corps employs 1,300 young adults. Heidi Schumann for The New York Times

A California Conservation Corps crew repaired trails in Mount Tamalpais State Park. The corps employs 1,300 young adults. Heidi Schumann for The New York Times

While reading this article in the hairdressers, I was surprised to see Van Jones’ name once again. I have mentioned his previous work with incarcerated youth and now with sustainable energy policy. He sees the necessary link between these two issues and calls for former prisons, alienated youth, new unemployed and urban poor all to jump on to Obama’s “green economy employment juggernaut”.

“To cut off the opportunity for disadvantaged kids to get their feet on the first rung of the ladder to future green careers is criminal,” said Van Jones, author of the best-selling “Green Collar Economy” and founding president of the Oakland-based nonprofit agency Green for All.

Mr. Jones said the California program was the prototype for at least 13 similar corps in other states and an inspiration for conservation work programs being considered by the Obama administration.

“How can you be a green governor and be taking the tools to green the state out of the hands of young people?” Mr. Jones said.

That Schwarzenegger might gut the corps even as President Obama’s new administration evokes themes of public works, national service and overcoming odds galls some youth advocates, who say the program serves as a model for the type of “green collar” jobs promised by the Congressional stimulus package.

Heidi Schumann for The New York Times

Members of the corps cleaned their breakfast dishes in the dark before going out to repair trails and build a wheelchair-accessible trail in Mount Tamalpais State Park in Marin County. Photo: Heidi Schumann for The New York Times

Heidi Schumann for The New York Times

Edward Alvarez, 18, packing the group's lunches for the day. Mr. Alvarez comes from a long line of corps members. His father fought fires with the California Conservation Corps in the 1980s and his great-grandfather served in the Civilian Conservation Corps established by President Franklin D. Roosevelt. Photo: Heidi Schumann for The New York Times

Does this effort to eradicate the CCC in order to save $34million/year suggest we have become too over ambitious? Are we realistic with the number and type of programs Obama’s stimulus package may bring? Is it really the “Christmas Tree” the Republican’s describe? How are we to design, support and administer a new movement in green jobs and environmental agri-service if we can’t maintain the simpler, tried-and-tested, restoration based programs?

For more pictures please view the full California Conservation Corps photo essay by Heidi Schumann for the New York Times

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