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I was asked to nominate a book for TIME’s Best Photobooks of the Year 2015 list. So I chose a newspaper.

Will Steacy‘s Deadline is an absolute cracker. One for the working man.

I was proud to nominate Deadline because is brings attention to, as Steacy describes, “the silent army, the gears of the working press, the behind-the-scene workers whose eyes, ears and hands touch a story before it goes live/printed and after the reporter hits send.”

Here’s what I wrote:

Appropriate design and layout are central to a photobook. A newspaper format was the obvious choice for Deadline, Will Steacy’s homage to, an examination of, a downsizing Philadlephia Inquirer. 

But after making the obvious choice, Steacy had a long way to go and a high standard to meet. Deadline is a workers’ history of a paper that in the eighties was known as the “Pulitzer Machine.” 

Fanatical in its view of both the newsroom and the printing presses, Deadline honors the labor of the copyboys, the reporters, the inkers and the editors equally. Decorated journalists reflect back on the Inquirer’s “Golden Age” and Steacy’s dad reflects on generations of their family working in newspapers. In five sections, the amount of research, fact-checking, phone-calls, line-editing and captioning in Deadline is astounding. A collaborative and self-reflective cousin of the newspaper format it references and reveres. Unrepeatable. Unbeatable.

Steacy can breathe easier, now, after completing the epic project.

“This, for me, was an initiation into my family’s newspaperman club and as close as I will get to calling myself a sixth generation newspaper man.”

From where I stand, Steacy looks like a newspaper man. You?

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Today, the Philly Mag published a leaked document about the devastating decline in newspapers. It was created by Interstate General Media, owners of the Philadelphia Inquirer. It showed massive slumps nationwide but particular downturns in the fortunes of Philadelphia’s newspapers.

The slump has been rumbling on for over a decade now but the details in the leaked document make Will Steacy‘s project Deadline even more timely. Steacy is currently raising money to make a photobook and here’s why I think it deserves your support.

DEADLINE, by WILL STEACY

I was once Skyping with an artist on a residency in Europe. During the call, in the background, Will Steacy‘s head popped round the open door. Given the time difference, it was early morning for my friend, and for Steacy.

Pre-coffee, Steacy took the time to say hello. I noticed under Steacy’s arm a stack of the newspapers. Printed news from print newsrooms across the globe. Steacy told me it was his daily ritual to read, for hours, the news stories printed on actual paper. It shouldn’t have seemed so surprising, but in this era of digital information Steacy’s insistence on printed news was, in my mind, unusual. And comforting.

It makes sense that Steacy would not only notice — but also feel attachment — to the dying news daily in his once-hometown of Philadelphia. His photographs document an atrophying Philadelphia Inquirer newsroom. The number of staffers decrease, the presses go silent, the buzz of a breaking news scoop vibrates a little less.

The series is called Deadline, and Steacy is currently crowdfunding on Kickstarter to create a photobook version.

I tweeted last week that Steacy was “photographer, labor guy and workaholic” and deserving of your support. He’s worked on the series for 5 years. His father was an editor with the Philadelphia Inquirer for over 20 years before he was laid off in a round of cutbacks in 2011, and his family has been in the news industry for generations. Steacy talks of the newspaper as a form and as a bastion of an institution holding politicians, corporations and the like accountable to society as a whole. Steacy also believes the decline of the newsroom is a labour issue and more than just profits should dictate the operations of free press outlets.

Under corporate ownership every Inquirer asset is on the table in the strategy to stay alive. Ask any local, and they’ll tell you the Philadelphia Inquirer ain’t what it used to be. The focus on local coverage to secure it’s regional readership hails a goodbye to the days when the Inquirer racked up Pulitzers for fun.

The Philadelphia Inquirer still lives but it’s downsized from 700 to 200 staff, sold and moved out of its iconic headquarters, The Inquirer Building. This move, as documented by Steacy, is arguably one of the best visuals we have to grasp the size of the changes occuring now in news publishing.

While Deadline is specific to the Inquirer, the story is all too common. Large papers such as the Rocky Mountain News have shuttered completely in recent years. This devastating shift in news publishing was reflected in Philly Inquirer’s Hard Years Are Microcosm of Newspapers’ Long Goodbye, an article by my Raw File WIRED colleague Jakob Schiller, last year.

Deadline combines great images, great research, local and national narratives and a personal connection. The Kickstarter rewards are imaginative too: newsroom pencils and pin badges, and a limited edition artwork printed on the same presses that rolled out the Inquirer for decades.

Get over to Kickstarter and fund it!

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Kickstarter reward at the $25-level. Poster: “A MIRROR OF GREATNESS, BLURRED” (Edition of 50, hand numbered, signed by artist, 20″ x 24″)

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