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‘Steph’ © Tony Foushe
There’s two things I hope you’ll carry away from this post. Firstly, the importance of Live Through This a photo series resulting from a-two year collaboration between Tony Fouhse and Stephanie. Secondly, that Tony has established Straylight Press to get limited-edition books and zines in the hands of photo-lovers. Live Through This is Straylight’s first publication.
To regular readers, Tony Fouhse will not be a new name. I’ve always admired Tony’s honest, weekly updates about his ongoing work, emotions and process. In my capacity as a Wired.com blogger, I recommended his blog drool as a top read.
LIVE THROUGH THIS
Four years ago, Tony began shooting USER, portraits of crack and heroin addicts on a single Ottawa city block. During that time, he met Stephanie, noticed something different about her, and asked, “Is there anything I can do to help?” She said she wanted help getting clean.
From that point it’s a long story of great-strides, trauma, dope sickness, humour, sunlight and friendship. Often photographers may distance themselves from the world by saying they’re mere observers. In the case of photojournalism, so-called objectivity sometimes excuses camera-persons from getting involved in even small practical ways to help those they photograph.
Tony is not a photojournalist and he is no hero either; he’s a guy that offered to help someone whose needs were greater than most. If you want to venture into the drool archives, Tony has told the story in great detail. Alternatively, Tony wrote a five-part series about his and Steph’s journey for the ever-excellent NPAC blog [one, two, three, four, five].
In December, Steph had a wobble and ended up in jail. In January, when I read Steph’s words about her court hearing it was clear that Tony has had a life-changing effect on her life:
When I went to Halifax I sat in front of the judge and the crown was asking for 4-6 months and my lawyer asked for probation and sure enough I got it. Then, when I went to Pictou courts my lawyer asked for 6 months house arrest and he got it too […] if it wasn’t for my lawyer in Halifax I would of been fucked. He fought for me to do house arrest because I did so much in the last year, like, he brought up how when I lived in Ottawa I met this man named Tony Fouhse was gonna help me get into a rehab called the R.O Royal Ottawa but I never came to the rehab because I ended up growing a cyst on my brain and how Tony ended up helping me ween from using Heroin to 1 4mg dillie (Dilaudid) a day and sent me home to my family where I could sober up and become a clean mom and we did a project of my life on the street.
It’s a bit embarrassing it’s taken me six months to share my wonder. As well as being photo-rich, Steph and Tony’s journey is a really compelling story. Live Through This is one of the most interesting photography projects I’ve followed in recent years.
STRAYLIGHT PRESS
Live Through This is all the more impressive because Tony and Steph have taken it upon themselves to promote, produce and distribute it. Tony describes Straylight Press as a “vehicle to produce and disseminate printed photo matter.”
Future projects include the unflinching work of Scot Sothern and Brett Gundlock’s Prisoners (which I saluted in the past) so it is exciting times. The idea is that the success of one project feeds the next, so if enough copies of Live Through This sell then profits go into producing the next photographer’s book. It’s a pre-sales fundraising model. In addition, Straylight zines are fairly inexpensive and the intent is to produce 3 or 4 each year.
“Straylight is kind of like a Kickstarter, but with more long-term commitment to projects that aren’t just my own,” says Tony. “Kickstarter projects, while a good and interesting idea, seem to me to be too much about the individual. Not that I have anything against that, after all, you need an ego to be a photographer. But …”
Last month, Tony talked with the Ottawa Citizen about Straylight: Tony Fouhse opens photo-book publishing house – and web gurus be damned.
Tony is flogging prints, books and workshops to raise money for Straylight projects.
Understandably, Tony is shifting his energies from his personal blog drool to the Straylight blog. Straylight is also on Facebook.
Good stuff.
Joce, Ottawa, 2010 © Tony Fouhse.
Despite being four years deep in his project USER, Tony Fouhse is more confused than ever by what it all means.
I recommend you read his latest blog post. Fouhse talks about beginning his fourth and final year on the project, subjects who have died, and the gratitude of one of his subjects now she is clean.
The post is a reflection and it is as much for him as it is for us.
USER
I hope that you are all aware of his work photographing the crack addicts in Ottawa – not forgetting the interviews, the coverage, the love and the controversy that follows any project such as this that positions addicts as the subject of fine art.
So, I want to say a few things.
– Tony has been very open to discussion and criticism of his work. He will also defend his work with vigour, as often criticism leveled at his work is – in some guise – puritan criticism of photography in general.
– Tony’s subjects love his work; many go to the USER exhibition openings. Dawn was one of Tony’s subjects; her letter is included in Tony’s latest blog post: “I would like the picture so I can remind myself that I do not want to look that horrible or be that desperate again. I really do appreciate your work and all that you do. I have followed your work since I got clean. Please let me know if you have a copy of the picture.”
– Tony has shown real commitment to his process and the subjects. Yes, he is trying to construct a meaningful “complex sequence”, but that doesn’t mean he is manipulating his subjects, dropping in and out of their difficult lives. The best illustration of this is the map below. Every portrait over the past four years he has shot on this same corner. He knows all these men and women.
Portfolio at his website: http://tonyfoto.com
Prison Photography 