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Mesro Coles-El, Indian Pow Wow — 6.12.76, 2013. Courtesy of Nigel Poor and the San Quentin Prison Archive Project

Next week, I’ll be in Bristol with Gemma-Rose Turnbull leading the discussion Photography As A Social Practice. Together we’ll look at  socially engaged art production of contemporary photographers including Phoebe Davis, Nigel Poor and the San Quentin Archive Project (above), Mark Strandquist, Anthony Luvera and others.

Thanks to IC Visual Lab for inviting us down and to Arnolfini for hosting. Gemma is pro: she’s currently co-authoring a pioneering Masters program in Photography with a focus on collaborative practice at Coventry University. We both appreciate image-makers who surrender some control in the image-making process over to others in order to discover new relationships, possibilities, empowerments and photographs. For the talk, Gemma will focus on standout projects that have successfully applied participatory design. Then I will look at the handful of projects that have attempted the same while dealing with the issue of mass incarceration.

As we say in the blurb:

“Socially engaged photographers deal with questions around justice and representation, thereby often discussing practical and historic conventions of photography. Striving to stimulate political and social change, practitioners often document recent societal happenings with compassionate observation.”

We think it’s important territory to tread.

Gemma, I and five others are the PaaSP (Photography As A Social Practice) collective, a loose group that seeks space for discussions on contemporary photography, addressing topics such as ethics and power dynamics. We like to champion practitioners who are good people, good stewards and good image-makers.

In or near Bristol?

7pm. Thursday 18th May 2017

£6/4 CONCESSIONS. Free to ICVL Members

Dark Studio, 2nd floor, Arnolfini

BUY TICKETS

 

 

 

 

Audience/participants reading the 4-page PHOTOGRAPHY AND SOCIAL PRACTICE broadsheet, a PDF of which will be uploaded to asocialpractice.com shortly.

On Friday, I was part of the Photo-Based Social Practice panel alongside Eliza GregoryGemma-Rose Turnbull, Mark Strandquist and Wendy Ewald.

The event was hosted by Aperture Foundation and Open Engagement. As introduction, we discussed our own practices and priorities, followed by break-out groups to develop the conversation and canvas audience members’ views.

These conversations will influence our ongoing practices and be expanded upon in articles on the website Photography As A Social Practice throughout the summer, but for now here are some snaps of the ideas we noted during each group.

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Cross-posted from Photography As A Social Practice

Update 05.11.2014: The Eventbrite registration page has been closed after 80 sign-ups. But, there’s space for walk-ins and allcomers. We don’t want to turn anyone away!

Email info@asocialpractice.com to extend your interest. Thanks.

A BIG PUBLIC CHAT

Next Friday, May 16th, as part of the Open Engagement conference, I’ll be part of a conversation about photography based art and social practice.

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The Photo-Based Social Practice panel and group brainstorming is at the Aperture Gallery in New York, 10am – 12 noon.

Moderator Eliza Gregory along with panelists Gemma-Rose Turnbull, Mark Strandquist, Wendy Ewald and I will be discussing socially engaged, transdisciplinary, and expanded practices in contemporary photography.

Highfalutin, huh? Not really. The language is big, but the query is simple. Can photography build community and empower subjects? How can photography be nice?

It’s free, but preregistration is required. Do that HERE (6th option on the list).

We’re only going to do the briefest of introductions to our work before breaking into groups to tackle a host of questions that deal with audience, relevance and good design. It only makes sense that we collaborate to tackle answers to these issues.

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We hope that the panel will follow nicely on from December’s Collaboration: Revisiting the History of Photography event that crowdsourced a new timeline of photo-history by focusing on projects with communities and groups as creators. I love the ideas involved in that.

While the Collaboration: Revisiting the History of Photography event gave new recognition to old projects and while it presented a new timeline and framework, it didn’t tackle best practices. From the projects it unearthed we can surmise the nature of some socially responsible projects, methodologies and motivations. In our discussion next week we hope to extend the conversation further and start to define common language, and potentially best practices, for socially engaged photography projects.

Please join us and help us along!

LOCATION, DATE, TIME

Aperture Gallery and Bookstore
547 West 27th Street, New York
10:00 am – 12:00 pm, Friday, May 16th.
FREE WITH REGISTRATION

NEW VENTURE! ‘PHOTOGRAPHY AS A SOCIAL PRACTICE’

Now is a good time to mention a joint venture recently started by my fellow panelists, Eliza Gregory, Gemma-Rose Turnbull and Mark Strandquist.

Photography As A Social Practice is a website for reference tools, teaching tools, and conversation about the intersection of social practice and photography. I’ll be contributing every so often and chatting on the phone about content. You can suggest resources by emailing info[at]asocialpractice[dot]com

SPONSORS

The panel is offered in conjunction with the Magnum Foundation and the Aperture Foundation who combined to publish Documentary, Expanded, the Spring Issue (#214) of Aperture Magazine as part of the Photography, Expanded initiative. Support also comes from the Open Society Documentary Photography ProjectThe School of Journalism and Communication (University of Queensland) and Portland State University‘s Art and Social Practice Program.

OPEN ENGAGEMENT, 2014

The Photo-Based Social Practice panel is part of Open Engagement, an international conference that sets out to explore various perspectives on art and social practice, and expand the dialogue around socially engaged art-making. This year, the conference addresses the theme of Life/Work. It is 2 days of programming (Sat, May 17 – Sun, May 18) at the Queens Museum, plus 1 day of pre-conference events on Fri 16th at different locations around the New York boroughs.

EMAIL

prisonphotography [at] gmail [dot] com

@BROOKPETE ON TWITTER

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