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Merry July Fourth.

American’s love to remind me that this was the day a very long time ago that some guys in wigs signed a piece of paper and declared independence from the British. This is pretty much true and there is a reason American children are drilled with the idealism of it all and British schools don’t cover it in their curriculum.

British schools cover the Victorian age, the industrial revolution and the subjugation of a quarter the world’s people through colonialisation (note: 19th century). When America seceded it did so from a fledgling empire, not from tyrannical brutes in Westminster.

British kids are not taught that America seceded from Britain because the Britain of the late 18th century has little relation to the Britain of today … just as the America of today has little to do with the America of 1776.

For British kids of the new millennium, America is very much its own country and they’d be surprised to hear America was ever under British rule. The Britain of George III’s rule is unrecognisable to high-school pupils of the UK. It has no bearing. To be blunt … they, we, I don’t care what happened over two centuries ago.

Listen Up! America, you’ve always been you’re own country. America is big, its own monster, fantastic, extreme. America boasts the greats of science, technology, film and gun-making in its alumni. Recognise your nation’s brilliance, but please also recognise its shortcomings.

Instead of focusing on irrelevant and ‘pseudo-mythical’ oppressors of the past, why not consider today the active and brutal oppressors in your political system today.

America is the only Western nation in the world to execute human beings.
America has 1 in 30 adults locked up in prisons (4 times the amount of any other Western state).
America’s middle class has fled to the banality of the suburbs and hung its public school systems out to dry.
America has 50 million medically uninsured people, including 11 million children.

America has embraced the privatisation of prisons and stockholders profit from the incarceration of men, women and children.
America’s drug war is in fact a war on the lower classes, who are predominantly minority groups.

All these are connected by hard line economics and the devastating effects promote distrust and division.

I am interested in prisons primarily because how a society treats those that transgress is a telling gauge on its wider shared cultural/political landscape.

Don’t build prisons, build schools. Don’t wage wars in foreign lands, wage war on the poverty and inequalities of your major cities. This is all simple stuff said many times before.

I apologise for this inconvenient diatribe; I don’t want to piss on your parade. In fact, I wish you had more parades. America has the fewest public holidays of any Western nation. Take a break America … love a little.

And, no, I don’t hate America … I just distrust patriotism, false mythologies and the resultant complacency. If I had the chance to decry all state-pageantry and self-congratulation, I would.

Last of all, stop allowing journo and political hacks to smear Socialism as a dirty word and system. They know bugger all. Socialism means spreading love as well as wealth. It means educating kids so that they don’t steal from you a decade later. It means providing health services NOW so that individuals can support themselves for life and the state needn’t.

President Obama emailed me today, “Two hundred and thirty-three years ago, our nation was born when a courageous group of patriots pledged their lives, fortunes, and sacred honor to the proposition that all of us were created equal”. Start putting your tax dollars where your constitution is and propagate equality. You can call it Socialism or not, I’ll just call it love.

Book Cover

Cornell Capa, to some extent, lived in the shadow of his older brother Robert. I guess, it is easy for complacent men to adore the still and fallen martyr than to keep apace with a passionate and piqued practitioner. Cornell’s and Robert’s legends are one; Cornell ceaselessly fought his brother’s corner authenticity debate surrounding The Falling Soldier.

Cornell’s indebtedness to his brother was fateful and self-imposed:

“From that day,” Mr. Capa said about his brother’s death, “I was haunted by the question of what happens to the work a photographer leaves behind, by how to make the work stay alive.”

Disappointingly, it is only in extended surveys of Cornell Capa’s career that mention of his fifties photojournalism in Central and Southern America arises. Otherwise, Cornell is celebrated for his political journalism and particularly his campaign coverage of Adlai E. Stevenson, Jack and Bobby Kennedy. Cornell’s photographs from Latin America are often neglected, even demoted.



The Kennedys were the foci of American progressive attitudes, and so, in the sixties, Cornell documented the concerned politician. Cornell was (not in a negative way) passive and the sixties were not formative. It was in the fifties that he actively worked to define the persona, the ideal: ‘The Concerned Photographer’.

Family Planning Honduras


Cornell’s work in Latin America:

Beginning in 1953, Capa traveled regularly to Central and South America. He focused extensively on the explosive politics of the region, particularly issues such as elections, free speech, foreign investments, and workers’ rights. His first trip was to Guatemala for Life. Capa photographed banana workers and peasants, and the complicated relationship and struggle for power between the local leftist leaders, President Jacobo Arbenz and the U.S.-owned United Fruit Company. In his most dynamic news story, he covered the collapse and fiery aftermath of the regime of dictator Juan Peron in Argentina in 1955. A year later he photographed in Nicaragua following the assassination of dictator Anastasio Somoza.

In 1956, he was sent to Ecuador by Life to cover the brutal murder of five Christian missionaries. This was to be a life changing experience. Typical of the way Capa was to engage with his subjects over many years, rather than taking the photographs and leaving the scene, he continued to photograph the story over time. In particular, he focused on one of the widows, Betty Elliot, and her extraordinary, understanding relationship with the Indians with whom she and her young daughter lived for several years, as she pursued her missionary work and research into the native language and customs.

In 1956, Cornell was in Nicaragua reporting on the assassination of President Anastasio Somoza García. Somoza was shot by a young Nicaraguan poet; the murder only disrupting slightly the Somoza dynasty that lasted until the revolution of 1979 (that’s where Susan Meiselas picks up).

In the aftermath of the assassination over 1,000 “dissidents” were rounded up. The murder was used as an excuse and means to suppress many, despite the act being that of one man.


Nicaragua Prison

I have no knowledge of what happened to these men after Cornell photographed them and I am sure you haven’t the patience for speculative-art-historio-speak.

I do wonder … if having witnessed revolution, early democracies, military juntas, coups, communism, social movements, grand narratives and oppression in various forms, if Cornell picked his subjects with discernment back in the United States.

As early as 1954 Cornell was working on a story for Life about the education of developmentally disabled children and young adults. Up and to that point in time, the subject had been regarded by most American magazines as taboo. The feature was a breakthrough.

In 1966, in memorial to his brother, Robert, and out of his “professed growing anxiety about the diminishing relevance of photojournalism in light of the increasing presence of film footage on television news” Cornell founded the Fund for Concerned Photography. In 1974, this ideal found a bricks and mortar home on 5th Ave & 94th Street in New York: The International Center for Photography.

Attica Chess

This institutional limbo that eventually gave rise to one of the world’s most important photography organisations was not a quiet period for Cornell. In 1972, he was commissioned to Attica, NY, to document visually the conditions of the prison. Capa presented his evidence to the McKay report (PDF, Part 1, pages 8-14) the body investigating the cause of the unrest. Cornell narrates his personal observations while showing his photographs to the commission.

Moving Prisoners, Attica

Yard, Attica

At a time when, the photojournalist community seems to have crises of confidence and purpose at an alarming rate, it would be wise to embrace his spirit in full recognition his slow accumulation of remarkable accomplishments.

Rest In Peace, Cornell.


Robert F. Kennedy campaigning in Elmira, New York, September 1964. Accession#: CI.9685
New York City. 1960. Senator John F. KENNEDY and his wife, Jackie, campaigning for the presidency. NYC19480 (CAC1960014 W00020/XX). Copyright Cornell Capa C/Magnum Photos
Three men pushing John Deere machine, Honduras, 1970-73. Accession#: CI.3746
Watching family planning instructional film at Las Crucitas clinic, Tegucigalpa, Honduras], 1970-73. Accession#: CI.8544
Political dissidents arrested after the assassination of Nicaraguan dictator, Anastasio Somoza, Managua, Nicaragua, September 1956. The LIFE Magazine Collection. Accession#: 2009.20.13
NICARAGUA. Managua. 1956. Some of the one thousand political dissidents who were arrested after the assassination of Nicaraguan dictator Anastasio Somoza. NYC19539 (CAC1956012 W00004/09). Copyright Cornell Capa/Magnum Photos
Prisoners escorted from one area to another, Attica Correctional Facility, Attica, New York, March 1972 (printed 2008). Accession#: CI.9693
Two men walking around prison courtyard, Attica Correctional Facility, Attica, New York, March 1972. Accession#: CI.9689
Inmates playing chess from prison cells, Attica Correctional Facility, Attica, New York, March 1972. Accession#: CI.9688
Man on scooter carrying coffin, northeastern Brazil, 1962. Accession#: CI.8921

All photos courtesy of The Robert Capa and Cornell Capa Archive, Promised Gift of Cornell Capa, International Center of Photography. (Except for ‘The Concerned Photographer’ book cover; the Jack Kennedy photograph; & the second Nicaragua prison photograph.)


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