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In the past I have provided varied perspective on Guantanamo. I put together a rudimentary Directory of Visual Resources. I alerted readers to important coverage of exceptional events here and here (granted, all events related to Gitmo are out of the extraordinary) and I have provided reflection on Guantanamo through the lenses of Bronstein, Clark, Gilden, Linsley, Pellegrin, Toledano and Lieutenant Sarah Cleveland.
Ultimately, none of these posts come close to describing or making sense of that most nonsensical of places. And so to ACLU’s latest video. My good mate Stan (cheers pal) posted earlier today:
Elsewhere, a friend of Prison Photography alerted me to the online journal JumpCut. Julia Lesage has assembled the most comprehensive webpage of Guantanamo links I’ve ever come across. Some of the links are already 404, but I would encourage you to peruse – I have still not exhausted the many resources. Leasge also contributes to the Spring 2009 issue with a section on ‘Documenting Torture’.
This post is to salve the disappointment of thousands of visitors to Prison Photography that are tempted by the post titled View Inside Guantanamo: Video only to find that the Guardian’s rights to the three minute “tour” video have expired.
There exists a bristling irony in the Guardian’s curt and formal explanation of circumstance: the erasure of evidence based upon ‘rights’ pertaining to the command is an insulting reminder of the powerlessness of detainees whose lives are manipulated at will.
Paradoxically, in this case, it is the denied party that is the apologist for the US military’s enforced expiration and unavailability of material. It seems the controlled release of this footage has been trumped by its controlled withdrawal.
As a worthy (and non-governmental) alternative, Magnum offers Paolo Pellegrin’s 11 minute slideshow ‘Guantanamo‘. There are a few interesting things about this piece none of which are the actual photographs. The prints are steeped in morbid detachment and the unsurprising truth that the photographer was also controlled throughout this military prison.
The slideshow’s early description of Guantanamo as a small American town is sinister; the edited audio interviews of former UK detainees, family members, detainee lawyer and psychologist are very successful. The follow-up portraits of former detainees that Pellegrin later completed in Afghanistan are very strong.
All photos copyright of Paolo Pellegrin/Magnum Photos
Please, refer to my earlier post, for a comprehensive directory of photographic resources for Guantanamo including Bruce Gilden’s subtle flash-bulb mockery of Guantanamo’s rank and file. (Search within Magnum archives as deep-linking is impossible).
Prison Photography 