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© Kate Peters

Here we are at the end of the first week of 2016. How’s it going so far? I spent the holidays lying in, reading stuff and watching my team Liverpool at silly hours of the morning. When at my desk, I was putting together a series of year end proclamations for Vantage.

It was a marathon, and by marathon I mean a six-parter. Still, that was more than 10,000 words and scores of images.

Part 1: The Best Nature Photos of 2015

Part 2: The Best Photobooks of 2015

Part 3: The Best San Francisco Street Photographer of 2015

Part 4: The Best Portraiture of 2015

Part 5: The Best GIFs of 2015

Part 6: The Best Photography Exhibition of 2015

Are these actually the best of the year? Are these the most watertight objective statements? Of course not, and I admit as much in the pieces. What they are though is my strongest arguments as to why these projects and ideas are more relevant, caring (even), fruitful and connecting.

Put your feet up. Have a glance.

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© Thomas Roma
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© Alan Powdrill
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© Suzanne Opton
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© Thomas Roma
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© Vicente Paredes
Book cover of Vicente Paredes’ Pony Congo
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© Brandon Tauszik
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© Sara Terry + Mariam X
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© Troy Holden

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Thomas Roma‘s book In The Vale Of Cashmere is probably familiar to you. It has had enjoyed widespread press and positive comments. And rightly so. It’s one of my favourite books of the year. I just did a review of the book and project for Vantage.

Roma’s arresting photos go inside the Vale of Cashmere a renowned casual hook-up spot that has, for decades, hidden in plain sight on the northern side of New York’s prospect Park–an overgrown, knotty pocket of criss-crossing paths that is of Brooklyn’s most active gay cruising spots. The Vale of Cashmere is commonly, but not exclusively, frequented by African American and Caribbean men.

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Not only are Roma’s portraits–that take us on long and repeated walks through the foliage and dappled light–wonderful so too is the contributing essay by G. Winston James. Between the two of them we are able to encounter, pass or pause with the men who meet among those trees.

I write:

James reminds us that sex is an activity designated for private spaces, namely the domestic space of the home. But for gay men living in the late nineteenth and early twentieth century, homosexual sex could not be expressed at home so it became a public act in public space. Crucially though, gay cruising and meeting spots only function as such at designated times.

“The most defining characteristic of queer space is its temporality. Queer space is not a permanent fixture of the urban landscape, but a sudden transformation that briefly renders traditional public spaces as something more dynamic,” Shaw once wrote.

James adds, “It is precisely this process of transformation (witnessed by a relative few), this dynamism, this history, that Thomas Roma has photographed.”

Read the full review: Loving Portraits Of Gay Black Men Cruising In Prospect Park

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