For its seventh and final stop, Prison Obscura will be on show at Newspace Center for Photography in Portland, Oregon from April 1 to May 28.
(Check out official Prison Obscura website and the PP “Prison Obscura” tag for the background and journeying of the exhibition.)
I’ll be at Newspace for the opening next Friday night, April 1, 6–8pm. I’ll be installing Wednesday and Thursday so stop by and say hello.
Also, on the Saturday afternoon I’m moderating a panel titled Can Images Counter Mass Incarceration? with some of my favourite artists and thinkers. Here’s the Facebook event page and see bolded events’ details below.
THE BLURB (AGAIN)
No country incarcerates a higher percentage of its population than the United States. More than 2.2 million people are currently locked up in the U.S.—a number that has more than quadrupled since 1980. But sadly, the lives lived behind bars are all too often invisible to those on the outside. Prison Obscura sheds light on such experiences and the prison-industrial complex as a whole by showcasing rarely seen surveillance, evidentiary, and prisoner-made photographs. The exhibition encourages visitors to ask why tax-paying, prison-funding citizens rarely get the chance to see such images, and what roles such pictures play for those within the system.
Alyse Emdur’s prison visiting room portraits from across the nation and Robert Gumpert’s recorded audio stories from within the San Francisco jail system provide an opportunity to see, read, and listen to subjects in the contexts of their incarceration. Juvenile and adult prisoners in different workshops led by Steve Davis, Mark Strandquist, and Kristen S. Wilkins perform for the camera, reflect on their past, describe their memories, and self-represent through photographs. The exhibition moves between these intimate portrayals of life within the prison system to more expansive views of legal and spatial surveillance in Josh Begley’s manipulation of Google Maps’ API code and Paul Rucker’s animated video. Prison Obscura builds the case that Americans must come face-to-face with these images to grasp the proliferation of the U.S. prison system and to connect with those it confines.
Prison Obscura is made possible with the support of the John B. Hurford ‘60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Haverford College, Haverford, PA.
PUBLIC PROGRAMS
In conjunction with the exhibition, Newspace is hosting a series of events related to the prison industrial complex and the role images play in exposing the structures of the U.S. criminal justice system.
OFFSITE Panel discussion: Can Images Counter Mass Incarceration? Saturday April 2, 2-4pm: Panelists Lorenzo Triburgo, Sarah-Jasmine Calvetti and Barry Sanders. Moderated by me. OFFSITE Location: Native American Student and Community Center, Portland State University (710 SW Jackson St). Sponsored by Portland State University Camera Arts Society.
Discussion: Re-Envisioning Justice: What Is Between Reform and Abolition of the Criminal Justice System?: Sunday, April 24, 4-6pm. At Newspace (1632 SE 10th Ave.)
Community Discussion: The Ethics of Photography: Thursday, May 12, 6:30-8pm, organized in collaboration with the Oregon Jewish Museum. At Newspace (1632 SE 10th Ave.)
All public programs are free, open to the public. Please note event location.
CLASSES
Expanding Photography: Discovering the Stories Behind Your Work: May 9 – May 23, 6:30 -9:30 pm | Instructor: Gregory Parra.
Education Lecture Series: The Screen Politics of Public Projections: May 17, 7:00 – 8:30pm | Instructor: Dr. Abigail Susik.
Build Your Own Pinhole Camera: June 5, 12:00-4:00pm | Instructor: Pete Gomena.
INFO + HOURS
Newspace Center for Photography, 1632 SE 10th Ave, Portland, OR 97214
Mon–Thurs 10am-9:30pm; Fri–Sun 10am-6pm
Facebook | Instagram | Tumblr | Twitter | Vine
For press inquiries, contact Newspace Curator Yaelle S. Amir at curator@newspacephoto.org or 503.963.1935.
5 comments
Comments feed for this article
March 24, 2016 at 11:20 am
John Golden
This is all positive for inmate artists, but if you are a stereotyped “Prison Guard”, “Turn Key”, you know a sadistic wannabe-cop (!) you will never have your artwork viewed by the public. Why do you think the Federal Parks Service banned my book for sale from there book store on Alcatraz island?
March 24, 2016 at 11:28 am
petebrook
John. A couple of points of clarification. Only one body of work is explicitly made by prisoners — the small 4×6 prints made by Steve Davis’ students who were juveniles in the Washington State system 2000-2005. All other bodies of work are by outside artists. Four other projects are made in collaboration of different forms with prisoners. I don’t know the details of the FPS ban on your book, but I recall an early email from you and I don’t think the Federal Government has an obligation to carry yours or anyone else’s products in their gift-shops. As ever, I’m happy to share your work on Prison Photography. I look forward to you emailing me some jpgs so I can muster some questions for you about your photos from San Quentin.
March 24, 2016 at 12:17 pm
steve cummings
If you published a book of the artwork, I would enthusiastically buy it!
March 24, 2016 at 1:09 pm
petebrook
Thanks Steve. There were 1000 copies of the ‘Prison Obscura’ catalogue printed and most of them have made their way into the world. None for sale on the Internet, yet, as far as I can see. No plans for a second print run. But! You can view and download a full PDF of the catalogue here: http://exhibits.haverford.edu/prisonobscura/files/2016/01/Prison-Obscura_catalogue.pdf
October 5, 2017 at 12:03 pm
Keep Film Photography Alive In Portland | Prison Photography
[…] program brought many great practitioners to town. It was also the final venue for Prison Obscura in Spring 2016. (Installation shots). I’ve fond memories of the staff, support, volunteers, openings and […]