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Video still from an incident in Maine Correctional Center, June 10th, 2012. Capt. Shawn Welch sprays pepper spray into the face of Paul Schlosser who is bound in a restraint chair after the prisoner, who has an infectious disease, spat at an officer. The video came to light after reporting by The Portland Herald in 2013. Prison Photography‘s analysis at the time: ‘The Spit Mask As Prison Torture Apparatus’

I gave a lecture in Maine this week. It went well. People said nice things. Afterward, attendees and I talked about representation and perceptions—the considerations of which form the core of my work. We talked about feasible image-based actions and intervention. I had some ideas. Questions were raised about direct political action and advocacy too. Here, though, especially specific to Maine, I didn’t feel as though I had real suggestions. But now I do and this post details them.

FIGHT AGAINST VIDEO VISITATION, FIGHT AGAINST SOLITARY CONFINEMENT

After a screening of The Prison In Twelve Landscapes hosted by the ACLU of Maine, at SPACE (a brilliant arts organisation, BTW) a panel of local experts gathered to discuss the most pressing issues at hand for prison reform in Maine and the particulars of current ongoing fights. Joseph Jackson of Maine Prisoner Advocacy Coalition, Meagan Sway, Justice Fellow at ACLU of Maine and Rachel Talbot-Ross, Maine state legislator talked about their work and that of allies.

(FYI, the film is great. Here’s my review from January 2017.)

Joseph Jackson spoke first. He is a coordinator for the Maine Prisoner Advocacy Coalition. His work supports youth and adults in the system. African Americans account for 1.5% of the Maine population. Yet they account for 25% of the juvenile prison population and 29% of the adult prison population. Jackson detailed how the language and applications of law persist until they go challenged. We as citizens can halt years of inertia simply by paying attention and demanding clarification, renewal.

As examples, Jackson pointed to laws that outlawed marijuana in the fifties based upon racist stereotypes. He also decried the ad hoc application of guidelines set forth by the Maine Department of Corrections; vague language (shall/should/will/may) and the consequent grey areas benefit prison administrations and staff as they can choose at will what guidelines are enforced and which can be side-stepped. When pressed, the DOC said that 1 in 8 guidelines were mere suggestions. Prisoners and advocates want clarity. If guidelines are actual policy, if they are enforced, can they be challenged.

Meagan Sway explained that it is the ACLU of Maine’s current practice to oppose laws intended to define new crimes. In the face of mass incarceration, an obstructionist approach is logical. In tandem with fights for fairer and more humane practices in the courts and prisons, it’s effective too hopefully. Drastic times call for drastic response.

Rachel Talbot-Ross is a Democrat Representative in the Maine state legislature. She spent 12 years working for the NAACP but concluded that while she had close relationships with lawmakers, commissioners, superintendents and the like, she was basically given the run around; kept busy but unable to force through meaningful change. Talbot-Ross resolved she would make more difference as an elected official. She won election in 2016 and is the first black woman to be elected to the Maine legislature since its founding 185 years ago. Think about that. Talbot-Ross doesn’t want congratulations for this and I am merely pointing out the fact.

So, my suggestions for you are these:

Support the campaigns of Maine Prisoner Advocacy Coalition (MPAC) and the ACLU of Maine against solitary confinement.

A recent PBS documentary Last Days Of Solitary would have us think that Maine leads the way in step down programs out of solitary confinement, but the truth is other regimes and cell-blocks, such as the C-Pod, function equivalently as 22 or 23 hour lockdown. Without doubt, the work of then prison chief Jospeh Ponte deserves recognition, but Ponte left MDOC in 2014 to work at Rikers Island until this year, and more committed work to reduce solitary in Maine prisons still needs to be done in his wake.

(On the topic of new modes of prison image-making, PBS’s VR reel After Solitary is worth look.) 

Go to the next MPAC Statewide Strategy Meeting

Saturday, December 2, 2017. 10:00am (doors at 9:30am). Curtis Memorial Library, Morrell Room, 23 Pleasant Street, Brunswick, ME 04011.

Sign up for news from MPAC to join its actions.

Support the work of Talbot-Ross

On November 30th, the Maine Legislative Council will decide which bills it will work on for the 2nd Regular Session. This is a procedure upon which you can have an effect.

While some bills have already been slated for debate, others have been proposed, initially turned down, but have a last chance, under appeal, to make it onto the docket for 2018/2019. Talbot-Ross and her Democrat colleagues have four bills that deal with criminal justice and if you’re a Maine voter you can influence the 10 law-makers.

One deals with in-person prison visits and the pushback against video visitation replacing physical contact. Another deals with solitary confinement. Now that marijuana is legal in Maine, there’s a push for all past marijuana convictions to be sealed. This is in order to cease the prevention of people getting jobs or other social services due to a conviction for something that is now legal.

Contact Ross’ office directly. Your calls are needed to the 10 law-makers prior to the Nov. 30th meeting to request inclusion of these reform bills in the next session. Talbot Ross’ staff will provide all the info you need to lobby your state officials.

Email: rachel.talbotross@legislature.maine.gov

Phone: 800-423-2900

Legislative website: http://legislature.maine.gov/housedems/rossr/index.html

Support the activities of Maine Inside Out, which engages system-impacted youth in drama and the arts and in advocacy.

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Everybody in Portland knows about the recent closure of Newspace Center for Photography. Those beyond the city might not, but they can imagine the damage to the photo community when one of the last accessible darkrooms for film shuttered almost overnight. A hole was left.

I was very fond of Newspace. I’m not a photographer so never used its darkroom facilities but its active lecture series and artist-in-residence program brought many great practitioners to town. It was also the final venue for Prison Obscura in Spring 2016. (Installation shots). I’ve fond memories of the staff, support, volunteers, openings and exhibitions at Newspace. A hole was left.

There’s a larger backstory to the saga, some raw emotions and accusations that better board planning could’ve averted the disaster. But instead of focusing on ‘What if’ or ‘What might have been’ a core group of photo-geeks sunk their efforts, cash and hope into creating a replacement. They showed up at Newspace’s fire-sale of equipment, snagged as much as they could and loaded it onto a flotilla of trucks. They’ve built out a brand spanking new darkroom and are ready for business. Introducing The Portland Darkroom.

 

The Portland Darkroom wants to keep film photography alive and accessible. Rose City needs this resource. They’ve launched a Kickstarter campaign to help fund the first year of operations and get them off to a running start.

I can’t wait to get in the space and meet the photo-peeps who’ve made this happen. Who knows, maybe I’ll resurrect the Eye On PDX series I did with Blake Andrews 2012-2014 to celebrate, and ask questions of, our local image-makers?

Head over to The Portland Darkroom website and sign up for updates. Place some money in the pot. Go on! In return for your support, there’s prints, workshops, stickers, postcards and oodles of thanks from the founders. Head over to The Portland Darkroom Kickstarter page and check out the perks.

 

 

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For its seventh and final stop, Prison Obscura will be on show at Newspace Center for Photography in Portland, Oregon from April 1 to May 28.

(Check out official Prison Obscura website and the PP “Prison Obscura” tag for the background and journeying of the exhibition.)

I’ll be at Newspace for the opening next Friday nightApril 1, 6–8pm. I’ll be installing Wednesday and Thursday so stop by and say hello.

Also, on the Saturday afternoon I’m moderating a panel titled Can Images Counter Mass Incarceration? with some of my favourite artists and thinkers. Here’s the Facebook event page and see bolded events’ details below.

THE BLURB (AGAIN)

No country incarcerates a higher percentage of its population than the United States. More than 2.2 million people are currently locked up in the U.S.—a number that has more than quadrupled since 1980. But sadly, the lives lived behind bars are all too often invisible to those on the outside. Prison Obscura sheds light on such experiences and the prison-industrial complex as a whole by showcasing rarely seen surveillance, evidentiary, and prisoner-made photographs. The exhibition encourages visitors to ask why tax-paying, prison-funding citizens rarely get the chance to see such images, and what roles such pictures play for those within the system.

 

Alyse Emdur’s prison visiting room portraits from across the nation and Robert Gumpert’s recorded audio stories from within the San Francisco jail system provide an opportunity to see, read, and listen to subjects in the contexts of their incarceration. Juvenile and adult prisoners in different workshops led by Steve Davis, Mark Strandquist, and Kristen S. Wilkins perform for the camera, reflect on their past, describe their memories, and self-represent through photographs. The exhibition moves between these intimate portrayals of life within the prison system to more expansive views of legal and spatial surveillance in Josh Begley’s manipulation of Google Maps’ API code and Paul Rucker’s animated video. Prison Obscura builds the case that Americans must come face-to-face with these images to grasp the proliferation of the U.S. prison system and to connect with those it confines.

Prison Obscura is made possible with the support of the John B. Hurford ‘60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Haverford College, Haverford, PA.

PUBLIC PROGRAMS

In conjunction with the exhibition, Newspace is hosting a series of events related to the prison industrial complex and the role images play in exposing the structures of the U.S. criminal justice system.

OFFSITE Panel discussion: Can Images Counter Mass Incarceration? Saturday April 2, 2-4pm: Panelists Lorenzo Triburgo, Sarah-Jasmine Calvetti and Barry Sanders. Moderated by me. OFFSITE Location: Native American Student and Community Center, Portland State University (710 SW Jackson St). Sponsored by Portland State University Camera Arts Society.

Discussion: Re-Envisioning Justice: What Is Between Reform and Abolition of the Criminal Justice System?: Sunday, April 24, 4-6pm. At Newspace (1632 SE 10th Ave.)

Community Discussion: The Ethics of Photography: Thursday, May 12, 6:30-8pm, organized in collaboration with the Oregon Jewish Museum. At Newspace (1632 SE 10th Ave.)

All public programs are free, open to the public. Please note event location.

CLASSES

Expanding Photography: Discovering the Stories Behind Your Work: May 9 – May 23, 6:30 -9:30 pm | Instructor: Gregory Parra.

Education Lecture Series: The Screen Politics of Public Projections: May 17, 7:00 – 8:30pm | Instructor: Dr. Abigail Susik.

Build Your Own Pinhole Camera: June 5, 12:00-4:00pm | Instructor: Pete Gomena.

INFO + HOURS

Newspace Center for Photography, 1632 SE 10th Ave, Portland, OR 97214

Mon–Thurs 10am-9:30pm; Fri–Sun 10am-6pm

Facebook | Instagram | Tumblr | Twitter | Vine

For press inquiries, contact Newspace Curator Yaelle S. Amir at curator@newspacephoto.org or 503.963.1935.

DEMOS: BOOK

I’ve had a lot to say about the mothballed Wapato Jail in North Portland. Last year, I said it’s use as a film set for an activist web series against solitary was the only good thing to come out of the facility, so I was very happy this year when artist collective ERNEST was brought to Portland by c3:Initiative to work on an artist residency about the vacant lock-up.

ERNEST produced a film, photographs, hosted community engagements, a roundtable, artists’ event and a book-club about mass incarceration. They also put out a publication to which I contributed. That essay, I’ll post here with illustrations shortly. But I just wanted to let you know that the book is now for sale.

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The design of the book is by Container Corps, it’s a bit mad with tip-ins everywhere. And it’s brilliant.

The book features contributions from Ace Lehner, Sarah Fontaine, Ernest Jerome DeFrance, Dan Gilsdorf and the ERNEST team (George Pfau, Amanda Curreri, Llewelyn Fletcher and Hannah Ireland).

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VIDEO

Demos: Wapato Correctional Facility, which is on view at c3:Initiative until Nov 22, probes the many concerns that the vacant jail suggests: breakdowns in democracy, prevailing power structures.

Here’s some “episodes” of themed footage that were woven together for ERNEST’s final centerpiece video installation.

Enjoy!

thibs

I’m one of the critically massive pool of jurors for this years Critical Mass. I take bribes like FIFA.

The 4-week Robert Rauschenberg Foundation sounds sick!

The blurb:

Registration is now open for Photolucida’s Critical Mass competition! Awards include a monograph prize, a solo exhibition at Blue Sky Gallery, a group exhibition juried by Alison Nordström, and a prestigious four-week artist’s residency at the Robert Rauschenberg Foundation’s Captiva Island estate.

Registration deadline is July 28th

Image: Brandon Thibodeaux, Maw Maw’s New Braids, Duncan, MS 2009. (Source)

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If you live in Portland, Oregon and you’re planning to get wed over Memorial Day weekend, why not let a Magnum Photos photographer come by and make some shots? Via.

ARRESTING POWER

Portland’s a pretty small town. When I lived their I was a fellow panelist with Julie Perini. Jodi Darby once beat me, by mere seconds, to a killer secondhand sweater in a donation pile on the street. I’ve never met Erin Yanke. The three producers have recently completed Arresting Power, a documentary about resistance to police violence in Portland, Oregon.

I supported the Kickstarter to get the film over the finishing line, so I am happy to see it out in the world. On Friday, May 8th, Arresting Power will screen at the Kala Art Institute in Berkeley, CA.

Arresting Power – Resisting Police Violence in Portland, Oregon provides a historical and political analysis of the role of the police in contemporary society and the history of policing in the United States. It provides a framework for understanding the systems of social control in Portland with its history of exclusion laws, racial profiling, gentrification practices and policing along lines of race and class. It serves to uncover Portland’s unique history of police relations and community response.

Arresting Power features interviews with the families of people who were killed by Portland police, victims of police misconduct, local historians and community organizers. Utilizing archival newsreel from the Oregon Historical Society’s moving image archive, the film explores the history of police reform and abolition movements that have been active throughout the past 50 years.

Watch the trailer here.

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Friday, May 8, 7pm

Kala Art Institute
2990 San Pablo Avenue, Berkeley, CA
Sliding scale $5 – $15
Refreshments will be served
Screening followed by Q&A with the filmmakers

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Happy Halloween, folks. Here’s a fun series. Photographer Neil DaCosta went to Oregon’s kookiest Halloween attractions during daylight closing hours. However, the scenes he discovered and shot on color film ended up looking as sinister as they appear when shrouded in darkness and staged for the frightened masses.

Week to week, DaCosta works long hours as a commercial and editorial photographer. But that doesn’t stop him throwing his camera gear in the car and heading out on his free weekends to shoot personal projects. Shooting stuff to scratch his creative itch is what has kept him sane. At least that was the case until last weekend when his excursions to into haunted houses, forests and corn mazes may have just driven him over the edge.

The ghastly result is a series called With The Lights On.

It all started harmlessly enough. DaCosta stumbled across a haunted trail walking his dog and reasoned that photographing halloween attractions during daylight hours would make for interesting pictures.

“When I was younger, I use to volunteer at a similar haunted trail and remembered how spooky it was even during the day,” he says.

Despite his ghoulish memories of younger experience, DaCosta thought a throughly mature and deliberate diurnal examination of the sites would reveal them for the low-budget, facade dependent constructions they are. DaCosta thought his images would draw back the curtain.

And, so, DaCosta trudged with his 4×5 camera to the West Linn Haunted Trail, the Fear Asylum, and The Haunted Maize — tourist spots all within half-an-hour of his hometown, Portland.

“I captured them empty, during off hours, with the lights on,” explains DaCosta. “But the dark humor I was envisioning, ended up being just more dark than humorous. Goes to show that some of our fears don’t rely on the dark to manifest.”

Photographing on site was eerie. Dead dummies swung and tarps billowed in the dank air. DaCosta got the jitters which were not helped by joggers in the forests who crept up while he was under the dark cloth of his medium format camera.

Those that operated the attractions were welcoming. “Everyone was in to it. Owners put a lot of work into these haunts and they are only seasonal. They are excited someone wants to photograph their hard work,” says DaCosta.

Like all good Halloween antics, DaCosta’s unsettling images jangle the nerves and provide relief and laughter.

Being a procrastinator, DaCosta has yet to decide on his costume for tonight, but he’ll be channelling photographer Joel Peter Witkin, who is his favorite macabre showman.

Happy Halloween folks! Enjoy these pics and then get out there, Trick ‘o’ Treat, and spook some people!

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