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PRISON ART LIBRARY IN THE MAKING

If you’re in or near Portland, Oregon and if you’ve art books you no longer want on your shelves, please consider donating the to the Columbia River Correctional Institution (CRCI) Art Book Drive.

This Wednesday, December 13th, from 12-7pm, the CRCI Artist In Residence Program is holding a Book Drive at the 9th Annual Publication Fair held at the Ace Hotel Cleaners space.

The book drive seeks titles related to: conceptual art, social practice, collaboration, critical theory, film, painting, sculpture, art technique, artist monographs, art history, performance art, and curating.

Go on. Donate your books!

The CRCI Art Book Library began in April 2017 as a way to expand access to art books, art writing and documentation. The art library is one component of the Artist in Residence Program, which is open to prisoners at the Columbia River Correctional Institution, a minimum security prison within the Portland city limits, run by the Oregon Department of Corrections. The residency is facilitated by a rotating faculty of artists and students from the Art and Social Practice MFA Program at Portland State University.

PUBLICATION FAIR

After you’ve donated your books, go check out the booths full of paper goods from these lovelies:

4341 Press

Ampersand Gallery & Fine Books

Anthology Booksellers

Antiquated Future

Book Arts Editions

Container Corps

Couch Press

Douglas F. Cooley Memorial Art Gallery

Floating World Comics

Forest Avenue Press

Future Tense Books: A Micro-Press

Gobshite Quarterly

Impossible Wings

Independent Publishing Resource Center

Microcosm Publishing

Mixed Needs

Monograph Bookwerks

Octopus Books

Passages Bookshop

Perfect Day Publishing

Personal Libraries Library

Portland Institute for Contemporary Art

Quotidian Press

Sunday Painter Press

Sidebrow

Tavern Books

Tin House

Two Plum Press

University of Hell Press

URe:AD Press

Volumes Volumes

YesYes Books

 

 

1

For its seventh and final stop, Prison Obscura will be on show at Newspace Center for Photography in Portland, Oregon from April 1 to May 28.

(Check out official Prison Obscura website and the PP “Prison Obscura” tag for the background and journeying of the exhibition.)

I’ll be at Newspace for the opening next Friday nightApril 1, 6–8pm. I’ll be installing Wednesday and Thursday so stop by and say hello.

Also, on the Saturday afternoon I’m moderating a panel titled Can Images Counter Mass Incarceration? with some of my favourite artists and thinkers. Here’s the Facebook event page and see bolded events’ details below.

THE BLURB (AGAIN)

No country incarcerates a higher percentage of its population than the United States. More than 2.2 million people are currently locked up in the U.S.—a number that has more than quadrupled since 1980. But sadly, the lives lived behind bars are all too often invisible to those on the outside. Prison Obscura sheds light on such experiences and the prison-industrial complex as a whole by showcasing rarely seen surveillance, evidentiary, and prisoner-made photographs. The exhibition encourages visitors to ask why tax-paying, prison-funding citizens rarely get the chance to see such images, and what roles such pictures play for those within the system.

 

Alyse Emdur’s prison visiting room portraits from across the nation and Robert Gumpert’s recorded audio stories from within the San Francisco jail system provide an opportunity to see, read, and listen to subjects in the contexts of their incarceration. Juvenile and adult prisoners in different workshops led by Steve Davis, Mark Strandquist, and Kristen S. Wilkins perform for the camera, reflect on their past, describe their memories, and self-represent through photographs. The exhibition moves between these intimate portrayals of life within the prison system to more expansive views of legal and spatial surveillance in Josh Begley’s manipulation of Google Maps’ API code and Paul Rucker’s animated video. Prison Obscura builds the case that Americans must come face-to-face with these images to grasp the proliferation of the U.S. prison system and to connect with those it confines.

Prison Obscura is made possible with the support of the John B. Hurford ‘60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Haverford College, Haverford, PA.

PUBLIC PROGRAMS

In conjunction with the exhibition, Newspace is hosting a series of events related to the prison industrial complex and the role images play in exposing the structures of the U.S. criminal justice system.

OFFSITE Panel discussion: Can Images Counter Mass Incarceration? Saturday April 2, 2-4pm: Panelists Lorenzo Triburgo, Sarah-Jasmine Calvetti and Barry Sanders. Moderated by me. OFFSITE Location: Native American Student and Community Center, Portland State University (710 SW Jackson St). Sponsored by Portland State University Camera Arts Society.

Discussion: Re-Envisioning Justice: What Is Between Reform and Abolition of the Criminal Justice System?: Sunday, April 24, 4-6pm. At Newspace (1632 SE 10th Ave.)

Community Discussion: The Ethics of Photography: Thursday, May 12, 6:30-8pm, organized in collaboration with the Oregon Jewish Museum. At Newspace (1632 SE 10th Ave.)

All public programs are free, open to the public. Please note event location.

CLASSES

Expanding Photography: Discovering the Stories Behind Your Work: May 9 – May 23, 6:30 -9:30 pm | Instructor: Gregory Parra.

Education Lecture Series: The Screen Politics of Public Projections: May 17, 7:00 – 8:30pm | Instructor: Dr. Abigail Susik.

Build Your Own Pinhole Camera: June 5, 12:00-4:00pm | Instructor: Pete Gomena.

INFO + HOURS

Newspace Center for Photography, 1632 SE 10th Ave, Portland, OR 97214

Mon–Thurs 10am-9:30pm; Fri–Sun 10am-6pm

Facebook | Instagram | Tumblr | Twitter | Vine

For press inquiries, contact Newspace Curator Yaelle S. Amir at curator@newspacephoto.org or 503.963.1935.

EMAIL

prisonphotography [at] gmail [dot] com

@BROOKPETE ON TWITTER

Prison Photography Archives

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