You are currently browsing the category archive for the ‘Non-Prison’ category.

‘Duck and I’ © Pete Brook

Last month I went to Big Bend National Park, on the border with Texas and Mexico. The Chihuahuan desert is very hot during the day, even in spring. We took an 18-mile day hike, walking before and immediately following sunrise and later in the three hours before sundown.

On the trek out I was surprised to see (and super-amused by) the artistry of some ducks (called cairns in the UK); even in the inhospitable desert, some folks had taken the time and care to build these things. It occurred to me that I’d seen typologies of most things but not these essential, non-owned, geo-marking, petra-sculptures. On the way back, I photographed them.

As I have said before, I am not a photographer and I rarely want to share my images but I’ll share this bit of fun.

‘ROBODUCK’ © Pete Brook

 

Last year, I interviewed Jurgen Chill about his project Zellen which adopted a birds eye (photo-composite) view of German prison cells.

For Chill’s series Bordelle, he repeated the technique for rooms of prostitution and bondage.

by La Mustia

ALTO ARIZONA has just launched an invigorating portfolio of protest posters.

From the website: “Arizona’s immigrant community is organizing and preparing to mount the political, legal, and economic pressure needed to restore constitutional protections to the state. They need the nation’s help to change the federal policy that allowed for the formation of SB 1070.”

by Savanah Loftus

 

by Ernesto Yerena


by Jason Gallegos

Thanks to Paul at Eyeteeth for the heads up. (via Just Seeds)

MORE GRAPHICS

While we are on the topic of illustration and instruction through posters, check out Jim’s discussion of authorities (civic, police, transit) graphics. In so doing, Jim includes the Fulana graphic below, which pushes back against posters requesting perfect paranoia and complicity of the public.

“No, it was not a random shooting. There was a group of three police officers. One officer took aim and shot Fabienne in the head.”

Fabienne’s father, Osama Cherisma, March 2010

Michael Winiarski and Paul Hansen recently returned to Port-au-Prince with the specific intention of following up on the fortunes of the Cherisma family.

Fabienne's family (left to right): Father, Osama Cherisma, brother Jeff, 18 years, his sister Amanda, 13 years, and mother Amante Kelcy. Photo: Paul Hansen

Following my interview with Winiarski, I had asked rhetorically what the Cherismas may feel about the international coverage of their daughter’s death. I was raising the issue of media and journalists’ responsibilities toward the subjects of their stories, and more specifically I was wondering if the Cherismas would ever be interviewed at length to elaborate on their experiences since that terrible day.

Well, a part answer can be provided in the actions and article of Winiarski and Hansen who published this story on the 13th March. (Swedish original / English translation):

– Osama says he knows the identity of the killer – a high ranking police officer from their own neighbourhood.
– The family have not filed a police report because they are too scared. They say the police are watching them daily.
– They have not talked to local media and only talk to Winiarski and Hansen of Dagens Nyheter because they are foreign journalists.
– Osama dealt with the body directly because he didn’t trust he’d see his daughter again if he handed her corpse over the police and authorities.
– Although their house still stands, it is so destabilised they live in a tent city.
– The schools of Jeff and Amanda, Fabienne’s brother and sister, were both destroyed during the earthquake.
– Jeff, Amanda and their mother Amante all – understandably – still feel extreme pain and emotion. Osama cannot sleep.
– Fabienne is buried in Zorange, north of Port-au-Prince. It is the village of Fabienne’s grandmother.

– – –

ALSO IN THE ‘PHOTOGRAPHING FABIENNE’ SERIES

Part One: Fabienne Cherisma (Initial inquiries, Jan Grarup, Olivier Laban Mattei)
Part Two: More on Fabienne Cherisma (Carlos Garcia Rawlins)
Part Three: Furthermore on Fabienne Cherisma (Michael Mullady)
Part Four: Yet more on Fabienne Cherisma (Linsmier, Nathan Weber)
Part Five: Interview with Edward Linsmier
Part Six: Interview with Jan Grarup
Part Seven: Interview with Paul Hansen
Part Eight: Interview with Michael Winiarski
Part Nine: Interview with Nathan Weber
Part Ten: Interview with James Oatway
Part Eleven: Interview with Nick Kozak

Reporter Rory Carroll Clarifies Some Details
Part Fourteen: Interview with Alon Skuy
Part Fifteen: Conclusions

A volunteer from Simelela, an organization dealing with sexual violence, uses a doll to teach children about inappropriate touching and sexual abuse, at a pre-school in Cape Town’s Khayelitsha township February 17, 2010. REUTERS/Finbarr O’Reilly

Rape is a very unpleasant topic to address. Many rape victims never discuss an assault and as such opportunities to recover may dwindle with time. One assumes adults are at least equipped to deal with the emotional trauma of discussion and therapy.

What of a child victim? Child rape, an unconscionable act, not only subjects innocents to violent assault but takes advantage of the child’s (probable) lack of perspective to the sadism to which they fall victim.

Finbar O’Reilly reported today on the child rape epidemic of South Africa.

“South Africa has the highest rate of rape in the world, including child and baby rape, with one person estimated to be raped every 26 seconds, according to aid groups and local organizations.”

It is noteworthy that O’Reilly’s dispatch hit the wires the same day artist Zanele Muholi condemned Lulu Xingwana, a South African government minister, for condemning the morality of Muholi’s exhibition.*

Muholi understood Xingwana’s objection as typical of South African society in which sex and sexuality are not discussed and yet sexual violence is prevalent.

Muholi’s images are tender, intelligent. That they’d compel a government minister to publicly disassociate herself is a sign of how taboo issues of sexual empowerment are in South Africa. Muholi’s images are not problematic; if anything, they are an essential part of the solution to opening up collective awareness and ownership of one’s own body.

* I posted earlier today on Zanele Muholi’s work.

Just a quickie. All of these names can be found on my list The Talent, but I figured they can get lost in there and I’d push them up to the surface for you all.

Scan the names and see if you’re missing out on the important/irrelevant bleatings of these notable camera-lords and camera-ladies.

StephenVoss
Steven Voss, Washington, DC
andrewcutraro
Andrew Cutraro, Washington, DC
edkashi
Ed Kashi
heislerphoto
Todd Heisler
rspencerreed
Ryan Spencer Reed
JasonEskenazi
Jason Eskenazi
AlanSChin
Alan Chin, Brooklyn, NY
davidb383
David Burnett, Washington DC
stevebloomphoto
Steve Bloom, England
dpeveto
Daryl Peveto
evanvucci
Evan Vucci
jmott78
Justin Mott, Hanoi, Vietnam
StrazzPOY
Scott Strazzante, Yorkville, IL
jonkgoering
Jon Goering, Lawrence, KS
sinclair_photo
Mike Sinclair, Kansas City
PhotoPhilan
PhotoPhilanthropy, California
radical_images
Radical Images, East Midlands UK
Kastenskov
Henrik Kastenskov, Vejle
maisiecrow
Maisie Crow, New York
jturnley
James Turnley
juansierraphoto
Juan Sierra, Germany
OLOLtoo
Kendrick Brinson, Atlanta, GA
AaronJoelSantos
Aaron Joel Santos, Hanoi, Vietnam
jeffcurto
Jeff Curto, Chicago, IL
martincregg
Martin Cregg, Dublin
consumptive
James Luckett, Ohio
jesshurdphoto
Jess Hurd, London
VizJournalist
John Waskey, Portland, OR
tomtveitan
Tom Tveitan, Norway
fotofugitive
Tim Humble, Noosa, Sunshine Coast
photomorel
Daniel Morel, Haiti
davidalanharvey
David Alan Harvey, NYC, Outer Banks
FredoDupoux
Frederic Dupoux
wemarijnissen
Wendy Marijnissen, Islamabad, Pakistan
dascruggs
Daniella Scruggs, D.C. Metro Area
themexican
Raul Gutierrez
sheimages
Sheila Pree Bright
Moishevitz
Juliana Beasley, Jersey City, NJ
tajforer
Taj Forer, Connecticut
jeffantebi
Jeff Antebi
mattshonfeld
Matt Shonfeld, Bath, UK
jonsnyder
Jon Snyder, San Francisco
americanyouth
American youth book, NYC
douglaslowell
Douglas Lowell, Portland, OR
imaclellan
Ian MacLellan, Lincoln, MA
EmilyShur
Emily Shur
JaneFultonAlt
Jane Fulton Alt, Chicago
brazil_photos
Ricardo Funari, Rio de Janeiro, Brazil
toddhido
Todd Hido, San Francisco Bay Area
billvaccaro
Bill Vaccaro
adamvlau
Adam Lau, San Francisco
PipAndrews
Philip Scott Andrews
DannyGhitis
Danny Ghitis, Brooklyn, NY
pangeaphoto
Pangea Photo
prospektphoto
Prospekt, Milan, Italy
terakopian
Edmond Terakopian, UK
NoBarriersPhoto
No Barriers Photogrphy, Vancouver, BC
CollegePhotog
CPOY, Columbia, MO
dsheaphoto
Daniel Shea, Chicago
dominicnahr
Dominic Nahr, Kenya
mrubee
Michael Rubenstein
greglutze
Greg Lutze, Pacific Northwest
reduxpictures
Redux Pictures
johnkeatley
John Keatley, Seattle, WA
hillerphoto
Geoffrey Hiller, Dhaka, Bangladesh
ChrisHondros
Chris Hondros, New York, NY
tammydavid
Tammy David, Manila, Philippines
vigbalasingam
Vignes Balasingam, Kuala Lumpur, Malaysia
timmatsuiphoto
Tim Matsui, Seattle, WA
coreyfishes
Corey Arnold, Portland, OR
jimbourg
Jim Bourg, Washington, DC
stupilkington
Stuart Pilkington, High Wycombe, UK
Donaldverger
Donald Verger, Portland, Maine
NickTurpin
Nick Turpin, France
noahkalina
Noah Kalina, Brooklyn, NY
terukuwayama
Teru Kuwayama
benrobertsphoto
Ben Roberts, Bournemouth, UK
alvarezphoto
Stephen Alvarez, Charlotte, NC
davidsolomons
David Solomons, London
erikborst
Erik Borst, Amsterdam, Holland
squarerootof9
Trey Hill, Dallas, TX
quesofrito
Emiliano Granado, NYC
50statesproject
50 States Project, USA
RachelPapo
Rachel Papo, Brooklyn, New York
alphabetproject
Alphabet Project
danielemattioli
Daniele Mattioli, Shanghai
shawnrocco
Shawn Rocco, Raleigh, North Carolina
jaredsoares
Jared Soares, Roanoke, Virginia
yingang
Ying Ang, Melbourne, Australia
jennyjimenez
Jenny Jimenez, Seattle, WA
hinius
Hin Chua, London
photogjack
Jack Kurtz, Phoenix, AZ
renaudphilippe
Renaud Philippe, Québec
thetravelphotog
Tewfic El- Sawy, NYC/London
A_Jax
Andrew Jackson, Birmingham, UK
alvarezmontero
Carlos Alvarez Montero
Peter_Marshall
London
mellyvanilla
Melanie McWhorter
ptrbkr
Peter Baker
dellicson
Davin Ellicson, Bucharest, Romania
OlivierLaude
Olivier Laude, San Francisco
matgrandjean
Mathieu Grandjean, Los Angeles
noahbeil
Noah Beil, Oakland, California
demotix
Global
claytoncubitt
Clayton Cubitt, New York
benblood
Ben Blood, Seattle, WA
ianvancoller
Ian van Coller, Bozeman, MT
natelarson
Nate Larson, Baltimore, MD
mrthibs18
Brandon Thibodeaux
gracegelder
Grace Gelder
andrewquerner
Andrew Querner, Alberta
jonfeinstein
Jon Feinstein, NYC
hellenvanmeene
Hellen van Meene, Heiloo, Holland
bendrum
Benjamin Drummond, Seattle, WA
tonystamolis
Tony Stamolis
liankevich
Andrei Liankevich
davewyatt
Dave Wyatt, Somerset, UK
coombskj
Kevin Coombs
miketsangphoto
Mike Tsang, London
lgreen66
Lauren Greenfield
KatharinaHesse
Katharina Hesse, Beijing
aphotostudent
James Pomerantz, New York
NadavKander
Nadav Kander, London
visualjourn
Brent Foster, Delhi, India
balazsgardi
Balazs Gardi
rogercremers
Roger Cremers, Amsterdam
shahidul
Shahidul Alam, Dhaka. Bangladesh
chrisdebode
Chris Debode, Amsterdam
abbiets
Abbie Trayler-Smith
foreilly
Finbar O’Reilly, Dakar, Senegal
rasermus
Espen Rasmussen
stevesimon
Steve Simon, NYC
borutpeterlin
Borut Peterlin, Slovenia
moooose
Mustafah Abdulaziz, Philadelphia
oeilpublic
Oeil Public, Paris, France (Now out of business)
gallagher_photo
Sean Gallagher, Beijing, China
jennackerman
Jenn Ackerman, New York
Amivee
Ami Vitale, Miami
ninaberman
Nina Berman
luceo
Luceo Images, US, Southeast Asia, Mexico
mattlutton
Matt Lutton, Belgrade, Serbia
Nathan_Armes
Nathan Armes, Denver, CO
timgruber
Tim Gruber, New York
timhussin
Tim Hussin, Washington D.C.
alan_w_george
Alan W George, San Francisco
MrToledano
Phillip Toledano, New York
mattslaby
Matt Slaby, Denver
wearemjr
MJR, Brooklyn, New York
caryconover
Cary Conover, Lower East Side, NYC
robot_operator
Dalton Rooney, Brooklyn, NY
loujones2008
Lou Jones, Boston, MA
gerik
Gerik Parmele, Columbia, MO
benlowy
Benjamin Lowy, Brooklyn, NY
tom_leininger
Tom Leininger, Texas
tomasvh
Tomas van Houtryve
timobarber
Tim Barber
newmediatim
Tim Lytvinenko

I have kept well away from the cyclical discussions about pay-walls, introductory charges, donation buttons, ad revenues etc.

I simply don’t have the experience of publishing industries necessary to predict the futures of words and images across all media.

It is challenging to say something succinct in a cacophony of well-informed professional and amateur content-providers.

Expect this to be my only comment, here on Prison Photography, about new media and payment for content.

THE BIZARRE HUMAN PSYCHOLOGY OF DOLLARS

Mark Tucker has an excellent post summarising the contradictions of our thinking as regard our willingness to pay for rented, mailed and theatre movies; newspapers and magazines; blogs, websites and email; and cable TV. He doesn’t mention cell phones …

Here’s what he says about blogs:

Blogs/Websites: What if old Rob Haggart or Joerg started charging fifty cents a month to read his excellent blog? Would I pay that? I don’t know — fifty cents is a lot of money! But I know, even a measly fifty cent charge, and my brain would resist it in some small way. Because the internet is free. Imagine how much time he puts into it; imagine how much time the NYTimes puts into their website. We’ll gladly pay a dollar for The Times at a coffeeshop, read two articles, and then throw it away, but no way in hell are those greedy bastards gonna charge me three dollars a month to read it nonstop, 24/7, at the comfort of my own desk. (Why does the brain work this way?)

IF, AND WHEN, IT IS GIVEN AWAY FOR FREE

I recently questioned Jonathan Worth for encouraging people to produce content for free, but only because I think many who were to do so would lose out. Jonathan and I could agree that providing content for free doesn’t always mean not getting paid as it leads to alternative opportunities and intangible benefits.

And yet, all I could worry about were those creators who were not diverse enough to plumb time and effort into an activity that didn’t return immediate funds. I suggested that it was possibly the older, less flexible creators (say those with mortgages) that will suffer most if they embrace the new culture of speculation in the creative market

Jonathan did make the clear distinction between blogging for free and creating (photographing) for free. At least for now the avenues of payment remain distinctly different.

HOW THIS RELATES …

Several friends have suggested I start making use of Google Ad-sense to at least get some money back on Prison Photography but my rapid answer that I never anticipated making money and truly don’t want to, garners only chortles and suspicion.

Maybe I am just a martyr. I feel while photographers should demand standards and rights to secure the best deal, I just don’t think bloggers have the gravitas to expect any monetary return on their efforts. The infrastructure doesn’t exist yet.

If you want to clutter your site with commercials, do it.
If you want to experiment with micro-donation, do it.
If you want to take the time to write about things you care about, do it.
If you want people to read and hear you, make it good.

Anything goes, still. The rules are unwritten.

But, don’t be so arrogant to presume that there is a magical solution to financial sustainability because your blogging activity is well-received.

Most often bloggers are relying on other income or other family members to sustain their activity. Recently, Tom White admitted his wife offers his career security. (You should read Joerg’s response and Tom’s counter response in which he also distinguishes between blogging and photography).

I have always been a firm believer that good quality abides. In the blogging industry (I called it an industry?) we are all newbies. We have come from nothing, we should probably be expected to go back to nothing. But, there is a chance that the good quality stuff will stick around. And, if the creators of the good stuff stick around also, then sustainable means may come to full order.

I’ll wait for any number of alternatives before I rely on the cents from Google Ad-sense.

Quite frankly, the web will be a better place when the mediocre disappears. Blogging is only one part of a digital revolution, or it might just be evolution, but I think the crap will be weeded out.

James Worrell‘s optimism is something I can agree with. Quoting Seth Godin, Worrell iterates that, “Every revolution destroys the average middle first and most savagely.”

What will be left, just might be worth paying for?

It one thing having foolish and clumsy media commentary of flash-in-the-pan (US) regional stories. It is another when CNN and Anderson Cooper use that same approach covering a humanitarian disaster.

As folk interested in media we should speak out when we see offensive framing and “reporting”.

Anderson Cooper’s bravado is only slightly more insulting than other major networks, but if we picket Cooper and his CNN editors maybe we’ll make a dent large enough that other major networks will also take note.

Michael Shaw just emailed this to concerned social media types. I am behind his sentiment:

I’m writing because I’ve just done a post at BAGnewsNotes that I think is extremely important.

It’s an appeal to readers to contact CNN, or tweet them (@andersoncooper @CNN – PLEASE STOP visually exploiting the Haitians! http://bit.ly/8R1DGc) about the way Anderson Cooper/CNN is visually exploiting the Haitians.

What Cooper has been doing is a complete affront, and it’s time we pushed back in a more systematic way.  Haiti is going through a completely sub-human experience as it is, and the humanitarian effort, and dignity for its people, should absolutely extend to the media sphere.

Thanks so much for putting your eyes on this, and being part of the response.

Here’s hoping.

EMAIL

prisonphotography [at] gmail [dot] com

Prison Photography Archives

Post Categories