In 2008, Tim Gruber embedded at the Kentucky State Reformatory to photograph in the geriatric wing designated for elderly and terminally ill patients. The result is Served Out, a photography and multimedia project. Here, I featured six images included in the PPOTR/Cruel and Unusual exhibition, but you should check out Tim and Jenn’s website for more stellar images.

Both Tim and his wife Jenn Ackerman worked in KSR the same summer. Tim is unequivocal: their access was down to then-Warden Larry Chandler’s good grace and good sense. Chandler wanted people to see how their tax dollars were spent and understood photography as part of the transparency he insisted on for the institution. KSR even gave weekly tours of its facilities.

Tim and Jenn, after brief training, were given staff-badges and were free to go about their work in the prison. They moved down to La Grange, KY for the summer to make the project and it wasn’t easy; Tim blogged some of the challenges (one, two, three, four, five.)

When we spoke last October, Gruber was in discussion with the ACLU. Last month, his images were used to illustrate the ACLU’s latest report ‘At America’s Expense: The Mass Incarceration of the Elderly‘ (Tim’s announcement.)

Of course, the common knowledge of the problems of incarcerating the elderly shaped our discussion. From the ACLU report:

Over the last 25 years, state corrections spending grew by 674%, substantially outpacing the growth of other government spending, and becoming the fourth-largest category of state spending. […] It costs $34,135 per year to house an average prisoner, but it costs $68,270 per year to house a prisoner age 50 and older. to put that number into context, the average American household makes about $40,000 a year in income.

In 1981, there were 8,853 state and federal prisoners age 55 and older. today, that number stands at 124,900, and experts project that by 2030 this number will be over 400,000, amounting to over one-third of prisoners in the United states. in other words, the elderly prison population is expected to increase by 4,400% over this fifty-year time span. this astronomical projection does not even include prisoners ages 50-54, for which data over time is harder to access.

The U.S. keeps elderly men and women locked up despite an abundance of evidence demonstrating that recidivism drops dramatically with age. For example, in new York, only 7% of prisoners released from prison at ages 50-64 returned to prison for new convictions within three years. that number drops to 4% for prisoners age 65 and older.

But, also, Tim and I talked about the emotions and first-hand experiences statistics don’t capture – the need for alternative imagery of prisoners and their humanity; what it was like to work on the wings, sit with the men and witness death (“Tears would overwhelm me”); compassionate release, prisoner-volunteer medical assistants and how Tim’s imagery may effect change.

LISTEN TO OUR CONVERSATION AT THE PRISON PHOTOGRAPHY PODBEAN PAGE

The Prison Library Project will be having a mail art exhibition in October 2012 and invites inmates, families and those who look to improve the lives of those incarcerated to participate:

The Prison Library Project receives hundreds of letters every week from inmates across the country. These letters requesting books and dictionaries, are often beautifully illustrated. In the spirit of these talented prison artists the Postmarked show was created, using the envelope as a canvas to create and share mail art.

The art of letter writing and the use of “snail mail” is on the decline, a casualty of the electronic age. But who among us does not smile when we received a letter in our mailbox? Who doesn’t thrill to find art instead of junk mail and bills? The Postmarked show is a chance for all of us to reconnect with the magic of “snail mail” while helping a population whose voice, if heard at all, is limited to the humble envelope, letter and pen.

Interested participants may decorate, illustrate or create art on an envelope and mail it in for the Postmarked mail art exhibition and fundraiser. Send submissions to:

Postmarked 2012
Prison Library Project
112 Harvard #303
Claremont CA 91711

Entries must be postmarked by September 30, 2012.

Only the side with the official USPS Postmark/barcode will be displayed. Mail art may be painted, stamped, collaged, printed, decorated or constructed. It may be any shape and size that will go through the mail and receive an official postmark.

“Mail may get worn or torn through the mail, but the handling process is an important part of the theme,” says organiser, Rachel McDonnell

Mail will be opened only by the person who purchases the art envelope.

Exhibition: October 5 – November 2 at the Claremont Forum Bookshop & Gallery. Opening Reception: Friday, October 5 Final Bid Party: Friday, November 2, 6:30 – 8:00pm

For more information, see PLP’s Postmarked blog or contact Rachel McDonnell at rachel@claremontforum.org

The Prison Library Project is a prison book and literacy program which sends thousands of books, study aids, educational and spiritual resources to inmates nationwide.

Woodbourne Correctional Facility inmate and Bard College student Abdullah Kamau Sankofa (left) studies in the computer room. He was been sentenced to 18 years in prison at the age of 17. Bill Doane (55) is one of his mentors.

Brooklyn-based German photographer, Stefan Falke made a series of photographs of the Bard Prison Initiative for a 2010 Die Zeit story.

I’m a huge fan of prison education programs and certainly college levels instruction. The interactions and the learning can shatter stereotypes. Falke’s photos do the same.

Former inmate Carlos Rosario, 35-year-old husband and father of four, was released from Woodbourne Correctional Facility after serving more than 12 years for armed robbery. Rosario is one of the students participating in the Bard Prison Initiative, a privately-funded program that offers inmates at five New York State prisons the opportunity to work toward a college degree from Bard College. The program is competitive, accepting only 15 new students at each facility every other year. Carlos Rosario received the Bachelor of Arts degree in social studies from the prestigious College Saturday, just a few days after his release. He had been working on it for the last six years. His senior thesis was titled “The Diet of Punishment: Prison Food and Penal Practice in the Post-Rehabilitative Era,” Rosario is credited with developing a garden in one of the few green spaces inside the otherwise cement-heavy prison. In the two years since the garden’s foundation, it has provided some of the only access the prison’s 800 inmates have to fresh vegetables and fruit. Rosario now works for a recycling company in Poughkeepsie, N.Y.

© Nina Berman, from the series Homeland

Often the problems associated with large institutions is that they muster their own internal logic. Kathie Arseno’s account below describes a series of ridiculous actions, for which no single person in authority would surely want to take responsibility.

This account was sent to me by Nina Berman, with whom I spoke about Stop & Frisk. Astoundingly, Arseno’s account shows that the NYPD’s invasive policing commonly seen on the streets (Stop & Frisk) extends to the harassment of people in their homes (Arseno).

So, if you’re in NYC and are free in the morning head down to Bronx Criminal Court.

Dear Friends,

On September 3, 2011 I was arrested in the lower east side (Manhattan) for graffiti.  I made a plea.  I had to pay a fine of $145 and one day community service.  Manhattan criminal court lowered my charges from graffiti to disorderly conduct. I have not done graffiti since my first arrest.

I do not have the approximate date but late in January I was arrested a second time. It was around 10pm and I was sleeping in my home.  My son was with me. I get woken up by loud banging on the door. I wake up to four male officers at my door. I did open the door but just enough for them to see my face. Officer Pomrade stepped his foot into my apartment and I told him he is not allowed to do that, I did not invite him in and they did not have a warrant for my arrest. The officer became very aggressive and his supervisor told him to calm down. One officer was calling the precinct to see if I have any warrants. At this point I did let them into my home because I felt they were definitely not going to leave me alone. And the more I resisted they became visibly more agitated with me. The officer found out that I did have a bench warrant. My arresting officer said this automatically gives them the grounds to arrest me. They told me that I am being arrested for the graffiti I have done around the Bronx. I informed them that I have already been arrested and charged for graffiti in Manhattan. They said I am now being arrested and charged for the graffiti I have done in the Bronx prior to my first arrest. I began to cry because I was about to get arrested and my son was in the home.  They let me call his father so he can be picked up. His father was on his way after I called.

When I got off the phone the officers asked me to come in the next day after work to the precinct so we can straighten everything out. They did not want to disrupt my family or my work. This will allow me to make arrangements to make sure my son was taken care of. I walked into the precinct the next day and was handcuffed as soon as I entered. I asked if this is going to happen anytime someone sees my tag. They said since my name and tags are in the system I can be charged for the graffiti I have done in that particular area. The officer told me not to worry, that I should not get arrested again as long as I stop doing graffiti.

I met with Vandal Squad police officers Zimmerman, Dwyer, and Ogilus.  They said that I am not an artist they want to make an example out of.  They were pressing me for information on other graffiti writers. They also charged me and stated that from now on I shouldn’t be arrested anymore unless I am caught red handed in the streets. They said in the rare case the police come to my home again to give them a call and they will help the situation. I was arrested on Wednesday early in the afternoon and did not see the judge until 8pm Friday night. I missed too many days of work. My next scheduled court date was for April 25, 2012.

On March 31, 2012 as I was soaking in the bath and baking cupcakes with a friend for a party I was going to have that evening, at approximately 9PM my son runs into the bathroom to tell me the police are at the door. I quickly jump out the bathtub and put only a t-shirt and basketball shorts. I step out my home to speak to the officers. My arresting officer asked if I was Kathie Arseno and when I responded yes he grabbed my wrist and stated to me that I am being arrested. In handcuffs I asked if they had a warrant and they did not answer. I asked why I was being arrested and he said “You know why you are being arrested.”  Once in the precinct I was told the reason for my arrest. I was once again getting arrested for graffiti in the neighborhood.  I became very upset and started protesting. I asked that they call Officer Zimmerman from Vandal Squad and to let me call my lawyer.  I was never allowed to make a phone call.  The officer was going to release me.  I was having a conversation with another officer and he became highly upset stating that I think I can fool him. He threatened to have my son removed from me and actually called 911 and told them a crazy woman is having a breakdown when I refused to get up from my seat to walk into my jail cell.  I asked for water but they refused to bring me any. I was interrogated for about an hour by a female police officer who was pressing me to share information on other writers if I want to be let out. I remained silent and they sent me to central bookings around 6am Sunday morning.

I was seen by the judge early afternoon on Sunday. My lawyer claimed double jeopardy and my case was dismissed without any charges.

On April 25, 2012 I went to court and the sentences they were trying to give me ranged from 5 to 90 days in jail with probation and community service.  I did not accept any of the offers and my court date was adjourned for July 25, 2012.  It still boggles me that I was caught red handed in Manhattan and was not charged with a crime but the Bronx has no evidence against me other than my prior arrest in Manhattan and I am facing these harsh sentences.

On May 18, 2012 around 10:15PM I had two police officers from the 44th precinct come to my apartment and try to arrest me for graffiti, again. I asked if they had a search warrant or a warrant for my arrest. They did not have any warrants so I did not agree to accompany them to the precinct. They told me I have two options, I can either voluntary go to their precinct or they will make a report to vandal squad and they will come to my home at anytime. I told them I will get in contact with my lawyer. And they left. I quickly emailed and left a message with my lawyer who advised me to remain silent at all times because they cannot keep arresting me for the same crime. She said she will get in contact with the A/DA assigned to my case to advise police officers to quit arresting me for the same crime. I have not had an officer come to my home since then.

On July 25, 2012 is my next court case at 9:30am. I am asking you to come to Bronx Criminal Court and show some support.  My life has never been the same since my second arrest. Having officers come to my home three times to arrest you for the same crime has disrupted my family’s life completely. I even had to take a week off work after my last arrest because I could not sit through a  meeting at work without breaking down in tears because of all the harassment and verbal abuse I had experienced. I literally had all my rights taken away from me in seconds. One minute I am home with my son and the next I am in a jail cell for a crime I already paid for. I know for a fact I am not the only one dealing with this type of harassment and I think its important for our community to make a stand and let them know that this is unacceptable.

Please forward this to any people or organizations who will like to show support.

Peace and Love, Kathie Arseno

Artist’s impression of projected cellphone imagery.

ART

Stop, a video installation will put faces to the numbers – hundreds of thousands – of people who are unjustly detained by police.

Stop is proposed by New York based Dread Scott and by Joann Kushner, an artist working in Liverpool, UK. As described by Dread Scott:

Stop will be a projection of portraits of several youth from East New York, Brooklyn and Liverpool, UK. Brooklyn will be on one wall and Liverpool will face them on the other. The life-sized projections will stand and face each other, the audience will be in the middle. Over time, each of the young adults will reveal how many times they have each been stopped by the police during their lifetime. The youth will be having a virtual “conversation” across an ocean with each other as well as with the audience.”

PHOTO

Yesterday, I posted a long conversation with Nina Berman about Stop & Frisk. Berman had not found any other fellow photographers working on the issue of Stop & Frisk. I found one other photographer (who’s work is ongoing and wishes not to publicize it yet) and one artist – Dread Scott.

Dread’s a lovely guy; I’ve written about his work on the prison industrial complex before and I interviewed him last year during PPOTR. Here’s what he says about this Stop & Frisk and this project:

“Last year, New York police stopped almost 700,000 people as part of their “Stop and Frisk” policy. The overwhelming majority, about 90%, were doing nothing wrong at the time and were completely innocent. Most were young and Black or Latino. A similar policy exists in Liverpool and developed after NY police chief William Bratton was invited to be a consultant in another UK city, Hartlepool, in 1996.”

It should be added that UK Prime Minister David Cameron wanted to appoint Bratton as Commissioner of London’s Metropolitan Police Service following the London Riots of August 2011. Cameron was later overruled by Home Secretary Theresa May, who insisted that only a British citizen should be able to run the Service.

Dread has led photography and art workshops with young adults from East NY Brooklyn (a neighborhood with one of the city’s highest police Stop and Frisk rates) and Joann has been working with similar youth in Liverpool. Using cell phones, students have made a powerful series of photographs about their neighborhoods and lives.

Stop will be exhibited in Rush Arts Gallery, NYC from September 13th, 2012.

START KICKING

Kickstarter has definitely reached its saturation point; The Onion’s take made me laugh hardest.

But you don’t even need to feel guilty about this one; Dread’s already reached his target (sure, he’d like a little extra: who doesn’t?)

What’s more important is the message of his work. Until now, I’ve never seen connections made between the US and the UK – between New York and Liverpool – over the Stop & Frisk issue. The issue is rarely framed within the context of youth; we don’t think of the victims as kids … but in many cases they are.

Stop & Frisk is a canary issue. How the controversy resolves itself will be an indication of whether we have progressed; if we are interested and involved in the welfare of others, or if we remain indifferent. It’s driven by Homeland Security dollars and it messes with peoples’ lives. It’s born out of a divided society, just as prisons were. Now the heavy-handed response is on peoples’ doorsteps.

Police stop teenagers for ID and when one can’t produce it he is put in a police van and driven away.  The other has to call his mother who didn’t answer. The police were about to haul him away when his brother showed up and presented ID. © Nina Berman

STOP AND FRISK

The controversial Stop & Frisk procedures of the New York Police Department (NYPD) have been enacted for decades, but due to a phenomenal rise in figures over the past decade, the issue has recently become a hot news topic.

Civil rights advocates point out that Stop & Frisks are disproportionately experienced by minorities. The New York Civil Liberties Union (NYCLU) published a report: NYPD Stop-and-Frisk Activity in 2011/2012.

In 2002, the NYPD made 97,296 stops. In 2011, there were 685,724 stops. Not all stops result in frisks. Of the 381,704 frisks, 330,638 (89.2%) were of blacks and Latinos. By contrast, only 27,341 frisks (7.4%) were of whites.

The NYCLU reports:

“Young Black and Latino men were the targets of a hugely disproportionate number of stops. Though they account for only 4.7% of the city, black and Latino males between the ages of 14 and 24 accounted for 41.6% of stops in 2011.” …

“The number of stops of young black men exceeded the entire city population of young black men (168,126 as compared to 158,406). Ninety percent of young black and Latino men stopped were innocent.”

The 2011 data are striking in what they reveal about the large percentages of blacks and Latinos being stopped in precincts that have substantial percentages of white residents. For instance, the population of the 17th Precinct, which covers the East Side of Manhattan, has the lowest percentage of black and Latino residents in the city at 7.8%, yet 71.4% of those stopped in the precinct were black or Latino.

In total, during the 10 years of the Bloomberg administration, there have been over 4,000,000 stops in New York city. The 524,873 extra stops in 2011 (as compared to 2002) recovered only 176 more guns.

In 2011, of the 381,704 frisks, 330,638 (89.2%) were of blacks and Latinos. By contrast, only 27,341 frisks (7.4%) were of whites.

Blacks and Latinos were more likely to be frisked and, among those frisked, are far less likely to be found with a weapon.

The New York Times reported last month that the NYPD has abused Stop & Frisk policies in recent years but others say the NYPD has – with officers’ routine street stops of minorities – been abusing its powers for decades.

Battle lines have been drawn. In May, NYCLU filed a lawsuit“challenging the NYPD’s unlawful practice of detaining, questioning and searching innocent New Yorkers – particularly blacks, Latinos and other non-whites.” In a counter attack, Mayor Bloomberg has called the NYCLU “dangerously wrong” and dismisses them as “no better than the NRA” for opposing the Stop & Frisk.

The Guardian just published data visualisation of NYC Stop & Frisk.

PHOTOGRAPHER’S INTEREST PIQUED

New York-based photographer Nina Berman has recently taken on the challenge of photographing this sprawling, all-encompassing issue. In the early stages of the project, she has published her forays in a couple (one and two) blog posts.

I realise this is a long conversation (possibly the longest I’ve ever published on Prison Photography) but it’s an important topic emerging in the popular consciousness right now.

Nina and I discuss how to make images of police activities and civil disobedience; talk about Nina’s motivations; pay attention to individual and group activists; and consider why attitudes about Stop & Frisk vary so wildly in the context of such controversial and stark statistics.

CONVERSATION

Why has this become a big issue recently?

Stop & Frisk has been a big issue for a long time in New York’s communities of colour. If you live in predominantly white community in New York you wouldn’t notice it because most white people are not stopped and frisked.

I think it’s a noticeable issue now because the numbers have got so high. There’s been some lawsuits and activist agitation so it has become more talked about. We’ve also seen connections made with other police aggressiveness and killings of unarmed black and brown men.

Is this just in NYC or is this indicative of issues at a national level?

It’s a national issue. A legal aid attorney, who lives in D.C., told me some months ago, that it was her feeling that it was worse in D.C. There is just a super-intense activist community here in New York who have just made it a central issue. And then there’s been lawsuits by the NYCLU and that has helped propel it into news reports. But I’ve been following it since November 2011 – at that time there was very little conversation about it. Now, it’s in the national press nearly every day.

How did it fall on to your radar?

I heard about it two years ago, either through a NYCLU or a Center for Constitutional Rights listserv. I read about lawsuits that have been put in against the NYPD. I thought that’s a huge number [of police stops]; what’s that all about?

Later, I saw a couple Stop & Frisks happen in the Bronx and it was just shocking. I started to follow some activists, who are just so dedicated; they are doing stuff everyday. The more I learned about it, the more I saw the connection between Stop & Frisks and what people are now calling the New Jim Crow; it’s not just the physical violation and potential humiliation of being stopped and searched but all the disenfranchisement that come as a result of that. That aspect has been missing in a lot of the news reports.

For instance, you may be stopped and the police officer may ask you for ID, and you may not have ID. As far as I know, there’s no ID law in New York city, but they may say, “You’re trespassing here,” and then you get a trespassing summons, or if you talk back to the officer, and ask ‘”Why are you stopping me?” you could get a disorderly conduct ticket and summons to court.

These are the kind of things that pile up. I’d like to see compiled statistics in New York city on how many disorderly conduct summons are given out, to whom they are given, and where they are given.

You said that you had witnessed a couple of Stop & Frisks?

I was in the Bronx on another project and I didn’t have my camera out. I saw a man riding a bicycle and a cop stopped him in the middle of the street. He stayed on his bicycle and he just immediately put his arms out in the air, like he knew precisely what position to assume. That’s a whole other thing that interests me; how body language for some people according to their race is a normalized gesture. For white people gestures [associated with Stop & Frisk] would be abnormal gestures.

Last summer, I saw a guy – he looked like he was 17 or 18 years old – in the Bronx and two plain-clothed cops came out and pushed him against a wall and stripped him of everything. It was intense.

What are the figures for stop and searches over the years?

Up to 700,000 in 2011. How many of those stops are also searches is unclear. Each year since 2002, stops have gone steadily up. If you calculate it for 2011, it is more than one a minute!* It is beyond comprehension.

What are the attitudes of the people in these communities who are effected?

There’s one guy in East Harlem I’ve come to know rather well. He’s been stopped and frisked his whole life and has never thought anything of it. One day, he saw his stepson stopped and searched. A light went off in his head; “What is going on here?” In another instance, his stepson was stopped and he was able to record the audio of the stop and the stuff the cops were saying was so abusive. After that, the father decided to get involved in civil disobedience and he’s out there every day involved in jail support, court support and rallying at precincts too. Many of the activists have been arrested.

Where have you been making photographs?

Outside precincts mostly; in Harlem, the Bronx, and Police Plaza downtown. Also, courthouses; mainly the Bronx criminal courthouse, the Manhattan criminal court house.

In the midst of the project, there was a police killing of a young man named Ramarley Graham. So the Stop & Frisk opposition got connected to issues around unwarranted police killings. They see it as part of the same racial profiling issue.

And the impact?

The impact has only been because of enormous amount of pressure – it’s kind of astonishing that you can have an impact at the grassroots level. Walking while Black [is the issue.] Jumaane Williams, a city councilman has stepped up and said, “I got stop and frisked, and I’m a councilman.”

The protestors I have met want an entire new style of policing; the police are not being seen as protectors, but as aggressors. Also, as part of some system – through these stops, this harassment, these summons, these stops – it just keeps people down.

If you speak to some of the parents, their concern is, “Okay, so my kid gets stopped 5 or 6 times for some bullshit thing and let’s see what happens when you seek college loan money. That’s the real fear. One of the fears. I guess the real fear is that a cop might kill your son. If he moves his hand the wrong way or something.

The Department of Justice (DOJ) is just beginning inquiries. The NYPD is not really backing down. As of a month or so ago, Mayor Bloomberg and NYPD Commissioner Ray Kelly were saying ‘This is terrific.’

Michelle Alexander’s characterization of this documenting and disciplining on the streets as well as in the prisons as “The New Jim Crow.” It seems these rapidly rising figures of Stop & Frisk support her arguments. That this racial profiling begins on the street makes the larger, national issue even more terrifying and pernicious. A lot of the time people think it is locked facilities that control populations so vigorously, but here’s evidence that racism begins in free society. Would you agree?

One of my first experiences was photographing some boys who were walking back from the gym in the Bronx. They were stopped, taken to the precinct and their mothers were called. They came to the precinct and the mothers started getting upset. The police wouldn’t let the mothers see them. One of the boys was charged with disorderly conduct because he talked back to the cops and one the mothers said. “That’s it, I sending my kid to the South. I have to protect him from the NYPD.” I learned that there’s this whole reverse migration that goes on when a boy hits his teenage years. Families in New York – and this is not the fist time I’ve heard this – want to send their boys back south to live with relative and to protect them from the NYPD! That blew my mind.

Why has the NYPD taken on this policy which is clearly flawed but also a public relations disaster?

Well, so far it hasn’t been a public relations disaster; not until this year. What kicked it off was a very visible civil disobedience action by Professor Cornell West and a bunch of other in front of the Harlem police precinct. That was the first step. Why the NYPD is doing it? I don’t know if it a money maker which would be an interesting things to find out. All these summonses carry fines.

I personally think New York city has too many cops; it is the most heavily policed city in North America. There’s 40,000 cops so they have to do something. The other factor – and this is what people say on the streets – they are too afraid to go after real gangsters so they hit up these people that are doing nothing, so they can show they are meeting quotas.

Law enforcement says there’s some good in the policy – that gang-bangers don’t bring guns on to the street, because they’re afraid of being stopped; so it is kind of a *preventative* policy.

But statistics (see graph above) don’t really support that argument.

Plus, it’s clogged up the entire court system, the holding cells. Say you’re stopped at 3pm and given a disorderly conduct summons, you may not get to the precinct till 10 o’clock at night … and then they might send you to central booking. Can you imagine what that’d do to a kid, or to anyone? If you’re on a job that says, ‘If you don’t show up you get fired [you loose your job].’ These are real stories; they are not just hypotheticals.

This is what Michelle Alexander would refer to as your way into the system.

What usually happens during a Stop & Frisk?

Legally, if a police officer stops you, you don’t have to say a word. There’s all sorts of “know your rights” trainings all over the city now. And there’s CopWatch groups. Neighborhood people are going out in teams in the community and just watching them.

What you’re supposed to do is ask, “Officer, am I under arrest?” and if the officer says no, you’re supposed to walk away. Does it usually happen like that? No. You’re scared when someone comes up to you. You say something. Each Stop & Frisk handles very differently.

If you refuse to answer questions that might cause problems.

They may throw some charge. They could say you’re obstructing justice. They’re supposed to stop you if they suspect you of something. They’re only supposes to frisk you if they suspect you are carrying a weapon.

I think this policy is going to change. I think there has been a tremendous amount of change. I don’t know what they will then do with all these police officers!?

It used to be when a municipality had budget troubles they’d think about dropping the number of cops. They don’t think that any more. It’s an untouchable.

If they pulled this stuff on 57th Street, Park Avenue or Madison Avenue, can you imagine what would happen? Could you imagine someone walking out of Barney’s New York and the NYPD stopping and frisking the person?

The NYPD does it in neighborhoods where people aren’t going to say anything.

What the most egregious case you’ve learnt about?

In my video, a young man speaks. He’s in his twenties. What was he pulled in for? He was in the subway with his girlfriend going downtown. and his girlfriends sister swiped him through on the subway. He was busted for soliciting. They claimed he asked someone to swipe him through. Well, it’s not illegal to swipe someone through. He spent a whole day in the system because of that. You see some subway stations heavy with police officers. Why? Because they have so much crime? I don’t think so.

Tell us about the groups you’ve been working with and following.

There’s a fluid group of people whop aren’t connected through any specific structure. They find each other at events. Or, someone has a problem and knows one person and they reach out to the group. The group I’ve been following is called Stop Stop & Frisk and it is a mix of Black, Hispanic and White people from Bronx, Manhattan, Brooklyn. They plan to go Staten Island, where there’s lots of problems as well.

Opponents are a mix of working class and middle class, some social workers, legal aid workers, some students and some activists. Wherever there’s some action happening they’ll try to show up and show support. There was recently an action at Lehman High School in the Bronx. Kids were being harassed; it’s a very liquid surge of people who are interested. Go to any neighborhood that is predominantly Black or Hispanic and you’ll find people working on this issue.

The NYCLU has been on the forefront of the opposition?

Yes, and there’s been different organizations that have coalesced. There’s the Police Reform Organizing Project (PROP). There is not one central group and that’s what it so amazing about it. People are waking up at the same time and saying, ‘Hey our neighborhood doesn’t have to be like this.’

How do you plan to pursue the story visually? It’s difficult, no?

I can certainly stake out more Stop & Frisks, and I’d like to do that. There’s also newly emerging surveillance infrastructure. The NYPD will roll these watch-towers into neighborhoods and watch certain places. I’d like to find a way to photograph this landscape that is constantly surveyed. You just have to figure out where these things are because they are moving all the time. And then I’m quite drawn to the mothers – the mothers who feel like they are going to lose their sons.

What do you think about this Pete?

Often material that gets to the heart of the matter is not the photography done by the well-meaning documentary photographers, but the images captured by the surveillance or official cameras. Look at the photos in the appendix of the Supreme Court ruling on the Plata vs. Brown case. The ruling established that overcrowding in California prisons led to preventable deaths, and therefore the conditions of detention for approximately 160,000 inmates was – is – cruel and unusual. Those photos were all taken by the California Department of Corrections itself.

Consider the Collateral Damage wikileaks video; it was US Army footage. The Abu Ghraib images were not taken by a journalist. Many of the photos that are central to expose are taken by those on the inside. It’s very difficult for an outsider to get that sort of access necessary.

So, I am interested in these movable NYPD watch towers. I never knew they existed.

They used them during Occupy. What Happened When I Tried to Get Some Answers About the Creepy NYPD Watchtower Monitoring OWS was a great story by Nick Turse about his encounters with the cops manning the occupy towers. Pete, you’re talking about the Prison Industrial Complex, and there’s is the Military Industrial Complex … well, this is the Homeland Security Industrial Complex. There’s money for new toys and they have to use it. They train police forces on them and they pull them out in every situation.

BUT if you’re in a residential neighborhood and you see one of these watchtowers for a few days, you wonder who’s doing the watching? Am I being watched? Maybe the person behind me is threatening? Is that what’s happening? Or am I being violated? Photographically, it’s not that easy to figure out how to cover these issues, but it’s not impossible. I think you just have to be clever; push yourself further. I feel pretty proud of myself for making the start I have, because you don’t see one photographer touching these things. I’m  not patting myself on the back about this but I like the idea of engaging with these communities and the city I live in. I feel that’s important.

A couple of years ago, Fred Ritchin encouraged me to move away from purely historical survey of photography in prisons and think about how the strategies and apparatus of discipline and management developed in prisons have been implemented across free society – corporate parks, high-rise surveillance, riot and protest policing.

Your work from Homeland was subtle in how it connected Americans with the hardware for war and surveillance.

I’ve though of just parking myself in front of central booking in Bronx, in front of the courthouse. I was there for a while the other day when a cop was indicted for the killing of a young boy and I saw kid after kid being walked i n there in handcuffs. I foe want to actually photograph those numbers – and maybe you do that; it takes a day, a week, month – how many pictures can I actually make of Black kids in handcuffs? I’d make thousands.

The challenge is that so much of this you can’t see; you’re prevented from seeing. There is a former prosecutor who has become a big opponent of Stop & Frisk. He says the conditions inside the Manhattan holding cells are worse than anything he’s ever seen in his life, and that they’re designed to make you feel like an animal intentionally.

Criticism of holding cells doesn’t surprise. City jails have a more transient population. There’s a general rule of thumb that the shorter the amount of time someone stays in a cell, the less care they’ll take care of it.

Wouldn’t it be amazing to get a look inside a booking cell. Lawyers don’t even see a booking cell. I’ve thought about getting myself arrested just so I could see it and experience it for myself.

Don’t do that, Nina.

No, I don’t think so. But, it has entered my mind more than once. You see the activists who are doing it more and more. They want to get arrested. They’re so caught up in it. They want the reminder of how fucked up things are.

You said earlier that the courts and booking stations were getting backlogged, possibly because of the civil disobedience also?

Yes, apparently. Frivolous charges are clogging the system. Bobby Constantino, a former [and disillusioned] prosecutor from Boston, writes The Crown blog. He moved to New York, got himself arrested in a civil disobedience action and wrote a whole description of his arrest and booking.

Why have you ventured into video?

I realized the stories people were saying were important and they’d be really hard to capture in just stills. And to give my audience a sense of the cat-and-mouse game played out on the streets. Standing in front of a precinct screaming at police officers? People don’t just do that. People have to get to some sense of rage just to do that.

It would be interesting to speak to the District Attorney (DA) that deals with those cases and see how many cases are brought forward and how many get dropped. Often a DA doesn’t want to waste time and resources on petty charges, especially if the courts are stretched.

The thing is, a cop’s quota is still met as long as he writes the ticket. It’s not based on whether or not it goes through the court. For the cop, he doesn’t care if the case is dropped or not and this is where the reporting needs to come in. The Times, Wall Street Journal, Reuters, Daily News; there needs to be a second level of reporting [from those outlets].

What is the infrastructure driving all of this? It’s not just Michael Bloomberg and Ray Kelly saying this is a crime fighting technique. What are the contradictions? If I was an investigative reporter, that’s what I’d be looking into.

Say you have a couple of disorderly conduct summons against you and you don’t show up to court, you’re going to have a warrant against you! Then you have a record … a real record. It’ll be interesting to see how many people come out for the daily marches. Everyday, more people sign on and it could end up being thousands and thousands of people.

Where do you feel you are at with your coverage of this issue?

I like the video I’ve made and I can certainly go more on it. But how do you photograph racial profiling? Or, furthermore the impulse to racial profile? If you look at some of these situations, in particular police killings – which I think of as the result of racial profiling – the cops are operating with one world view and the communities with another. They’re gulfs apart.

– – – – – –

*There are 525949 minutes in a year. Therefore, in 2011, the NYPD stopped someone every 45 seconds.

– – – – – –

NINA BERMAN

Nina Berman is a documentary photographer with a primary interest in the American political and social landscape. She is the author of two monographs Purple Hearts – Back from Iraq and Homeland, both examining war and militarism. Her work has been recognized with awards in art and journalism from the New York Foundation for the Arts, the World Press Photo Foundation, the Open Society Institute Documentary Fund and Hasselblad among others. She has participated in more than 70 solo and group exhibitions including the Whitney Museum of American Art 2010 Biennial, the Milano Triennale, 2010 and Dublin Contemporary 2011. Her work has been featured on CBS, CNN, PBS, ABC, BBC and reviewed in the New York Times, Aperture, Art in America, Afterimage, TIME, American Photo and Photoworks. She is a member of the NOOR photo collective and is an Associate Professor at the Columbia University Graduate School of Journalism. Berman lives in New York City.

Alabama & Gracen © 2011-12 Bobby Abrahamson

North Portland Polaroids, Bobby Abrahamson

St. John’s is one of the more interesting neighbourhoods in Portland. Geographically isolated from the rest of the city, many people in St. John’s – for the longest time – considered themselves distinct from the rest of the city. That sentiment still remains, but throughout the nineties and early noughties there was an influx of youngsters looking to make home and St. Johns in the historically more blue-collar North Portland afforded the cheapest homes. This isn’t to say that gentrification has taken place – by the standards of other cities,  the curious and lovable outpost of St. Johns cradles as much of it’s original modesty and allure to outsiders (me and others like me) than ever before.

Photographer, Bobby Abrahamson, bought a house in St. Johns just over a year ago, but his making of portraits using 5×7 Polaroid film preceded his move into the neighbourhood. North Portland Polaroids is a gentle homage to the photographer’s immediate surroundings and supports the theory that one needn’t travel the earth to make interesting photography.

As well as being acquainted with Bobby and really liking the work, another winning factor is the Portland-based collaborative championing of North Portland Polaroids. It is currently being shown at two stalwarts of the PDX photo-scene – Blue Sky Gallery (downtown) and Ampersand (Alberta Arts District, NE).

Abrahamson was in discussions with Myles Haselhorst at Ampersand about producing a book before a show at Blue Sky was confirmed. When Blue Sky said ‘Yes’, instead of the two venues competing against one another they coordinated their ventures. Ampersand is a bookstore with gallery space and finely curated photobooks and ephemera, whereas Blue Sky is a more traditional gallery space with programming and workshops. In terms of international exposure, Blue Sky is the place in this city, but in terms of making books with local binderies and a keen curatorial eye, Ampersand fits the bill.

Just as Weegee “took over” New York last Fall, now is Abrahamson’s moment in Portland. North Portland Polaroids is of and for this town.

I’d like to hear readers’ suggestions of other keenly local projects that have been embraced by the locals, the subjects. [Comment below, please]

I should take this opportunity to say that living in Portland has worked out very well for me; the photography community here is active but relaxed; intelligent and open. Ampersand, The Grid Project, Lightleak, NewSpace, Blue Sky and Critical Mass/Photolucida are all PDX businesses, non-profits and ragtag bunches of friends with capital in the culture of photography. I digress but perhaps those observations speak to my own fondness for photography in Portland … and as to why I write this post.

LISTEN

Bobby Abrahamson, Julia Dolan (Minor White Curator of Photography curator at the Portland Art Museum) and Myles Haselhorst (Owner, Ampersand) on KBOO Portland Community Radio. Here.

LOOK

Bobby’s website and blog.

BOOK: NORTH PORTLAND POLAROIDS

Buy the book at the Ampersand website.

5 x 7 in.
Perfect bound soft cover
100 pages
46 photographs
Printed on Mohawk Superfine paper

Foreword by Julia Dolan, The Minor White Curator of Photography, Portland Art Museum

Designed & published by Ampersand
Printed & bound in Portland, Oregon

Edition of 150

Sometimes you come across a photobook that disrupts all expectations. I picked up The Tattooed Cat in a downtown Los Angeles book store, late last year. It’s written by Steven Wood with photographs by Dawn Mamikunian. It was published in 1993.

Mamikunian now makes her living as a portrait and wedding photographer and videographer. She’s still dealing with love except now it’s between two humans and not a man and his many cats.

The book is about Chas Taylor and the photographs follow him to the Ace Tattoo parlour where he is routinely inked with portraits of cats – mostly his own. There’s also touching scenes of domestic life – naps, feeding, cohabitation and the like.

What’s fascinating about the book is that the B&W images play with depth to the point that Chas tattoos and the limbs of his felines merge, sometimes indistinguishably. I can imagine this is the intent of both Chas and of the photographer too.

Here’s Wayne, the cat in our house, interacting with the book …

… and interacting with the camera-strap.

By the way, did you hear about August’s Internet Cat Video Film Festival being hosted at the Walker Art Center, Minneapolis?

With hindsight it is easy to say that The Tattooed Cat is an analogue precursor to LOLCATS and Youtube viral hits of cats doing the “craziest things“.

The Tattooed Cat predates the Internet’s (our?) obsession with cuteness, only it nails it down to one man and his story. The Tattooed Cat is a really bizarre look at an unorthodox approach to pet-ownership. It’s a pretty modest gesture too. I’ve never seen anything like it and so it stays in the memory.

CATVERTISING

Footnote: You should know that Cat videos will soon replace online advertising in squeezing the dollars out of your pockets!

EMAIL

prisonphotography [at] gmail [dot] com

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