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I spent last Friday inside the walls of San Quentin State Prison watching the presentations of TEDxSan Quentin. Most talks were by prisoners and almost all were moving, reasoned, hard-hitting. It reminded me, once more, of the incredible intellect of men, women and children inside America’s prisons. It made me think again of how foolish we are as a society to waste talent, ignore positive contributions and crush lives through our addiction to incarceration.

Arthur Longworth was not at that TEDx; he is imprisoned not at San Quentin, but at Monroe Correctional Complex near Seattle. Nor did Longworth make the presentation (above) at a TED event. While Monroe has had its own TEDx event, the prisoners own Concerned Lifers Organization (CLO) has been hosting an annual conference for longer.

Longworth’s talk Mass Drownings at the 2015 CLO Conference is an eloquent, 18-minute-long metaphor of the prison industrial complex as the ocean. Longworth was sentenced to Life Without Parole (LWOP) meaning he has for the past 30-some-years lived behind bars knowing he’d never get out from them. This is a special-type of torture reserved for he and tens of thousands of other Americans. Longworth has witnessed more and more people tossed into the ocean and describes the cruelty of hope.

“This news that people outside of the ocean are actually talking about what’s happening in it spreads across the water in the form of hope. A piece of which you reach out and grab on to. Your instinct isn’t to hold on because by this time you’ve been in the water so long and you don’t know what hope is. But when you try to let go you discover that you can’t bring yourself to do it because this thing you’ve grabbed on to is warm and buoyant. For the first time since you were put into the ocean you cease to shiver and you feel like there might be something to swim toward.”

It’s here that our relationship with those on the inside comes into sharp focus. Politicized prisoners know that there’s a major shift in public attitudes. They are working, too, to help in the balanced and restorative debate we have ackowledged we need. Recognising there’s a problem is the easy part; we need to find the solutions. We need to meet these mens’ hopes. We need to replace a bloated and cruel, cruel system with humanity.

I watched this video for the first time in the wee hours of Thursday, 14th January. I was due that afternoon to open Prison Obscura at Evergreen State College. I have presented so many times on Prison Obscura and the ideas around it that it’s hard not to feel jaded at times. Sometimes, I go into auto-pilot. But, just because I have communicated things multiple times doesn’t make the human rights abuses to which they respond any less urgent.

I had the pleasure of speaking with Longworth several times during my role as a teacher with the University Beyond Bars at Monroe (2009-2011). We never spent any time in the classroom together. He had no use for the art classes I taught and it was not feasible for me to take his Spanish lessons! Arthur Longworth is a brilliant mind and an inspired leader. From within a system that has abandoned its moral compass he has maintained his own. Somehow.

Longworth bristles with controlled fury and a nailed-on sense of injustice. He can’t fathom why a society might throw people away so readily. Then he recalls the monarchy system from which the United States emerged. Kings used to condemn men by decree without ever seeing their faces. Only high and mighty arrogance could enact such disregard.

Mass Drownings reduced me to tears. I also felt shame; shame that I’d got lazy, on occasion, with the presentation of Prison Obscura. The show remains on the walls of Evergreen State College through March 2nd, but I am inclined to tell Washingtonians to watch Arthur Longworth before they seek out any online video about Prison Obscura. Longworth’s argument, grace and dignity are why the fight against mass incarceration must continue. His words carry more meaning and weight than any I, or any other outside activist for that matter, could ever.

Of course, to people familiar with prison literature, this is no surprise. Longworth won the PEN Center ‘Best Prison Memoir’ Prize in 2010. Pulitzer-winning novelist Junot Diaz read Longworth’s Walla Walla IMU, a story about ants in solitary confinement, on stage to a New York crowd. College students nationwide are assigned his works. Last year, The Marshall Project published an essay of his. Longworth has been the feature of Seattle Times and KUOW pieces about LWOP.

Listen to Longworth. Simply put, he’s one of the few remaining persons who talks any sense about a maddening system that condemns hundreds of thousands of men, women and children without ever seeing their faces.

Erika Schultz

Student of Univeristy Beyond Bars, Monroe Correctional Complex, 2011 © Erika Schultz

IF YOU ARE IN SEATTLE …

Opening on Saturday, 20th July is Prison Art an art auction fundraiser for University Beyond Bars (UBB), the prison education I worked with from 2009-2011.

Accompanying Prison Art is a photography component I was invited to curate. Titled Portraits and Pixels: Photography in Washington State Prisons the exhibition features five photographers working in Washington State and making images of Washington State lockdowns.

AND IT’S IN A BREWERY!

ART BEYOND BARS

At Washington State Reformatory, students in a Studio Art class, sponsored by the nonprofit organization University Beyond Bars and led by long-term prisoner-artist Gary Thomas, have created oil, acrylic, and gouache paintings as well as pencil and ink drawings in styles that range from the political to the retro, from the kitsch to the abstract.

You can see a local KING 5 newschannel spot on Gary and the class, here. (Turn the sound down to avoid the over-zealous sound-editing use of cliche clanging doors and locks!)

80 pieces feature in the Prison Art show ranging from nearly pocket-sized to large triptych paintings. All are for sale and proceeds go toward paying for the college education of UBB students. The silent auction lasts two weeks.

‘Portraits and Pixels: Photography in Washington State Prisons’

Young mothers, critical thinkers and children making powerful art may not be the first types of people we’d expect to find behind bars, but Portraits and Pixels challenges our notions of who is behind bars in the Evergreen State.

Portraits and Pixels: Photography in Washington State Prisons brings together images by five established local photographers to provide an overview of arts, rehabilitation and security in Washington State’s lockdowns.

Bettina Hansen, a Seattle Times photojournalist since 2012, photographed the theater productions at Monroe Correctional Complex. In 2011, Erika Schultz, also of the Seattle Times, volunteered her skills and made portraits of students in the UBB art program at Monroe. Tim Matsui, a Seattle-based multimedia journalist, casts a light on the Youth Art Program at the Denney Juvenile Detention Center in Everett. In the early 2000s, Steve Davis led workshops in four Washington State juvenile detention centers producing pinhole camera photographs and narrative-rich images with the children. Davis also made formal portraits of the boys and girls. Nurse-midwife, Cheryl Hanna-Truscott has made dignified and quiet double-portraits of incarcerated mothers with their newborns at the Residential Parenting Program at the Washington Corrections Center for Women in Gig Harbor. The pioneering program is nationally recognized for its commitment to maintain ties between mother and baby by means of rigorous administration, family and volunteer efforts.

The exhibition will be open to the public from July 21 until August 10 during the brewery hours: Fri-Sun 3-7 pm.

OPENING NIGHT, July 20th, 7:30 – 10 pm

Prison Art is hosted by Machine House Brewery, at 5840 Airport Way S in Georgetown, just south of Seattle.

Tickets are available here. Tickets are $15 each, or two for $25.

There will be live music by singer-songwriter Lori Dreier, cellist Ed Tellman, and keyboard artist and former prisoner Dan Pens.

Facebook event page here.

IMAGES

SteveDavis

© Steve Davis

Bettina Hasnsen Prison Theatre

Daemond Arrindell, teaching artist for Freehold Theatre’s Engaged Theatre program, gives words of encouragement to inmate Ted Cherry after a rehearsal at Monroe Correctional Complex April 17, 2013. “They are the most appreciative population we’ve ever worked with,” said Arrindell, who is a local poet and community organizer known for running various writing and performance workshops and the Seattle Poetry Slam. “They recognize what limited opportunities they have.” © Bettina Hansen/Seattle Times

Tim Matsui

Cell Denney Juvenile Detention Center in Everett. © Tim Matsui

Mother and child in the Residential Parenting Program at the Washington Corrections Center for Women. © Cheryl Hanna-Truscott

Prison Art Seattle

NON-SUFFICIENT FUNDS, the prison art show I organised at Vermillion opened to much fanfare, good feelings, silent-auction bids and sack-loads of positive feedback. Quite proud.

Photographs of the opening and artworks to come soon. In the meantime, watch this video of our students at University Beyond Bars (UBB). We showed this at the opening too.

When You Learn, You Don’t Return, is a documentary by Gilda Sheppard an award-winning filmmaker and sociology instructor at UBB.

Many UBB students are unpacking the fact the world is a complex place and our existence (and its comprehension) is based upon the complex brew of individual responsibility AND societal circumstance. In other words, we only have choices within the parameters available to us and those vary widely town to town, neighbourhood to neighbourhood, block to block.

UBB students absorb material like sponges; engaged in a process of transformation.

PLEASE SPEND YOUR MONIES

I hope that all the interest and praise in the art show converts to bids on the pieces. University Beyond Bars is an important cause, but unfortunately prison reform initiatives are not as popular as the more visible charitable causes (animal shelters, children with chronic disease, common cancers, etc.)

Bidding on the silent auction continues until May 12th. If you’re in Seattle please stop by. Notify your benevolent friends.

PRESS

Insider Art: A Show from the State’s Most Unlikely Art Academy (Seattle Weekly)

Slideshow – “Insider” Art: Prisoner Art From the Washington State Reformatory (Seattle Weekly)

Suggests. Non-Sufficient Funds, Thursday 28th. (The Stranger)

Blog: Monroe Prison Art on Display at Vermillion on Capitol Hill (Seattle Weekly)

Now You Can Own Art By Monroe Inmates (Seattle PI)

UPDATED

Since going to press, University Behind Bars has changed its name to University Beyond Bars. The new website for UBB can be found at http://www.universitybeyondbars.org/.

FREEDOM THROUGH EDUCATION

The Prisoners Education Network is hosting FREEDOM THROUGH EDUCATION, a fundraiser for its main program, University Behind Bars.

Greenwood Senior Center is the venue for an evening of music, fine foods and silent art auction. Many students from my art class have donated paintings and other from outside the class have made crafts for auction. Local families and a local church group have pooled resources to make this happen. If you want to know why so many different people are invested, I think it is because they share PEN’s values and mission.

Buy tickets at Brown Paper Tickets

Freedom Through Education on Facebook

BACKGROUND

The Prisoners Education Network (PEN) is five years old. I have been with PEN for nine months now. In this current quarter, the University Behind Bars (UBB) offered is widest selection of courses – including Art, Business Law, Child Development/Psychology, English Composition, Human Geography, Intro to Math, Music Theory and Sociology.

PEN is the only organisation in Washington State providing college level education and credits to prisoners.

PEN is currently expanding its UBB program to preserve its widened curriculum. All teachers are volunteers and 98% of donations go directly toward tuition fees and books. Our teachers are passionate professionals, but our students are the heart of the program. Via the correspondence course set-up, students receive credit from Ohio University. Beyond matters of credit, the students are building a shared community of learning within Washington State Reformatory at Monroe Correctional Complex.

This is the first big fundraiser of the year. It would be great to see you there, but if you can’t attend because you are in another state or on another continent, please consider donating to PEN via the website.

Thank You

EMAIL

prisonphotography [at] gmail [dot] com

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