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The funeral of Horacio Bau a montonero militant from Trelew in the Argentine patagonia. He disappeared in La Plata in November 1977. His remains were found and buried nearly 30 years after. © João Pina
About this time last year, LENS blog featured João Pina’s ongoing project Operation Condor (since renamed Shadow of the Condor). Daniel J. Wakin wrote, “Operation Condor was a collusion among right-wing dictators in Latin America during the 1970s to eliminate their leftist opponents. The countries involved were Brazil, Argentina, Chile, Paraguay, Uruguay and Bolivia.”
João Pina has broken up those six countires into three segments and is currently raising funds via Emphas.is to complete the first focusing on Brazil.
Pina has already interviewed victims and families in Brazil:
In Recife in northeastern Brazil I interviewed and photographed Elzita Santa Cruz, a mother of ten who is now 97 years old. In 1964, when Brazil’s military dictatorship began, several of her children were arrested for political reasons on different occasions. In 1974, one of them, her son Fernando, became Brazil’s first politically “disappeared” person. Since then, Elzita has been demanding that the Brazilian authorities open their archives and explain what happened to Fernando and the other victims of the twenty-one-year dictatorship.
Having worked across South America for six years already, Pina will, as he intends, be able to create a “visual memory”, but as for making evidence for “use by a number of human rights organizations which are still trying to bring those responsible for Operation Condor’s repression to justice,” well, that’s an ambitious goal. Nevertheless, as a documentary project the subject is ranging and imperative. Good luck to him. I’ve stumped up some cash, so should you.
See the Emphas.is project page for Shadow of the Condor and see Pina’s video pitch.
MARTIN BATALLES REPRESENTING URUGUAY
LIVIA CORONA REPRESENTING MEXICO
MARCOS LOPEZ REPRESENTING ARGENTINA
Friend of Prison Photography, Emiliano Granado, likes football as much as he rocks at photography.
We pooled our knowledge to pair each country competing in South Africa with a photographer of the same nationality.
GROUP A
FRA France – JR
MEX Mexico – Livia Corona
RSA South Africa – Mikhael Subotzky
URU Uruguay – Martín Batallés
GROUP B
ARG Argentina – Marcos Lopez
GRE Greece – George Georgiou (Born in London to Greek Cypriot parent)
KOR South Korea – Ye Rin Mok
NGA Nigeria – George Osodi
GROUP C
ALG Algeria – Christian Poveda
ENG England – Stephen Gill
SVN Slovenia – Klavdij Sluban (French of Slovenian origin … I know, I know, but you try to find a Slovenia born photographer!)
USA United States – Bruce Davison
GROUP D
AUS Australia – Stephen Dupont
GER Germany – August Sander
GHA Ghana – Philip Kwame Apagya
SRB Serbia – Boogie
GROUP E
CMR Cameroon – Barthélémy Toguo
DEN Denmark – Henrik Knudsen
JPN Japan – Araki
NED Netherlands – Rineke Dijkstra
GROUP F
ITA Italy – Massimo Vitali
NZL New Zealand – Robin Morrison
PAR Paraguay – ?????
SVK Slovakia – Martin Kollar
GROUP G
BRA Brazil – Sebastiao Selgado
CIV Ivory Coast – Ananias Leki Dago
PRK North Korea – Tomas van Houtryve (it was difficult to find a North Korean photographer)
POR Portugal – Joao Pina
GROUP H
CHI Chile – Sergio Larrain
HON Honduras – Daniel Handal
ESP Spain – Alberto García Alix
SUI Switzerland – Jules Spinatsch
Emiliano has been posting images from each of the photographers and doubled up on a few nations where the talent pool is teeming. You can see them all over on his Tumblr account, A PILE OF GEMS
NOTES
* Don’t even begin arguing about who should represent the USA. It is a never-ending debate.
* I’ll be honest, finding photographers for the African nations was tricky, even for a web-search-dork like myself. But then we knew about the shortcomings of distribution and promotion within the industry, didn’t we?
* For Chile, we had to look to the past legend Larrain. I’ll be grateful if someone suggest a living practitioner.
* North Korean photographer, by name, anyone? We had to fall back on van Houtryve because he got inside the DPR.
* Rineke Dijkstra was one of approximately 4 thousand-trillion dutch photographers who are everywhere.
* Araki was the easy choice. Ill admit – I know next to nothing about Japanese photography (Marc, help?)
* I wanted a few more political photographers in there, while Emiliano goes for arty stuff. I think we found a nice balance overall.
* And, SERIOUSLY, name me a Paraguayan photographer! PLEASE.
AUGUST SANDER REPRESENTING GERMANY
JULES SPINATSCH REPRESENTING SWITZERLAND
PHILIP KWAME APAGYA REPRESENTING GHANA
I was first aware of João de Carvalho Pina‘s work a couple of years ago when Jim pointed to Pina’s photographic homage to the political prisoners of Portugal (1926-1974). Two of Pina’s grandparents were imprisoned by the Portuguese regime.
Just as that terror ended in Europe, another began across six countries in South America. Pina’s project Operation Condor has just featured on the New York Times’ Lens blog, for which Daniel J. Wakin explains:
“Operation Condor was a collusion among right-wing dictators in Latin America during the 1970s to eliminate their leftist opponents. The countries involved were Brazil, Argentina, Chile, Paraguay, Uruguay and Bolivia.”
More from the NY Times on the sites of detention:
Mr. Pina said he was struck by how ordinary the locations were — garages, a sports stadium, offices. “Most of them are places that can be in the corner of our houses,” he said. “They’re very normal places”
Very important work, not least the portraits of survivors. Pina’s goal is to create a visual memory of the era working against a relative dearth of historical documentation, “to show people that this actually happened. There are hundreds of thousands of people affected by it.”
The first four chapters of Naomi Klein’s Shock Doctrine deal with the military juntas and international interference in South America from the mid 50s until the 80s. Highly recommended.
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I have been working on a series of posts about the Desaparecidos in Argentina specifically, one group of nationals affected by the continental ideological wars of South America in the 70s and 80s. Expect follow up posts on this subject.
ELSEWHERES
Pina works on incredible breadth of issues, all related by their focus on the harshest of social violence. Most recently, his work on the gangs of Rio de Janeiro has garnered attention, here and here.
Below is an image from his Portuguese political prisoners project (source).
Prison Photography 