You are currently browsing the tag archive for the ‘Prison Obscura’ tag.

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I was interviewed by ACLU recently: Prisons Are Man-Made … They Can Be Unmade.

The Q&A focuses around the exhibition Prison Obscura and you’ll notice a return to many of my favourite talking points. Still, the work never ends, and I know that ACLU will push out — to an expanded audience — my argument that we should all be more active and conscientious consumers of prison imagery. My thanks to Matthew Harwood for the questions.

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Last month, I popped round to Stockholm Studios in NYC and was wrapped in blankets, ginger tea and the ends of a busy shoe rack. And so it was Episode 2.13 of the LPV Show was born.

Tom Starkweather manned the mixing desk while Bryan “Photos On The Brain” Formhals probed with the important matters of the day. I can’t really remember what we talked about in the first half of the show — certainly Prison Obscura, and I recall revealing my fear of Big Brother. We also had a good laugh about all those headlines in photography writing that describe very literally the content of the photographs and immediate crush the mystery and wonder of it all. After demolishing those low-hanging topic-fruits, we moved onto more serious stuff and tried to position Peter Van Agtmael’s Disco Night Sept 11. We concluded it was one of the best — if not the best — photobooks about modern war to have emerged in the 21st century.

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LPV just busted out four posts that relate: the show itself, a selection of images from Prison Osbcura, a selection of spreads from Disco Night Sept 11, some photographs of my mug and the recording in session, and (bizarrely, but lovingly) an LPV curation of my Instagram images.

It’s a right laugh getting together in ACTUALLY IN PERSON and having a conversation. You should try it!

It’s also nice to know that there is a small amount of accountability attached to your answers as it will be published and exist, for all of time, in Big-Brother-Big-Data-Centers in the deserts of the Southwest.

My thanks to Bryan and Tom for inviting me round.

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If you’re in NYC, get yourself to lower Manhattan tomorrow evening.

Josh Begley is a data artist and web developer, well known for creating an iPhone app to track every reported U.S. drone strike.

In his artist talk ‘Visualizing Carceral Space’, Begley will discuss his projects Prison Map and Dronestream (a.k.a MetaData).

Begley will speak from 6:00 to 7:30 pm, on Thursday March 12th, at the Sheila C. Johnson Design Center, 2 W13th Street in the ground-floor Anna-Maria and Stephen Kellen Gallery.

The talk is offered as part of the programming for Prison Obscura showing at Parsons which features an expanded, custom-made version of Prison Map.

Josh Begley‘s work has appeared in WiredThe New York TimesNPRThe AtlanticNew York Magazine, and at the New Museum of Contemporary Art. He currently works at The Intercept doing incredible things like this.

Follow Josh on Twitter at @joshbegley and on @dronestream.

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Prison Obscura is currently at the mid-point of its New York showing at Parsons The New School of Design. At this moment, I wanted to share with you a few installation shots made by Marc Tatti for Parsons.

I also took the opportunity to re-issue the Prison Obscura catalogue essay (originally published by Haverford College) on Medium. Read Can Photographs of Prisons Improve the Lives of Prisoners?

I have hi-res images of all artworks and installation shots. Should you need any, drop me a line.

Enjoy the weekend!

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All images: Marc Tatti.

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After stints at Haverford College, PA; Scripps, CA; and Rutgers, NJ, my first solo-curated effort Prison Obscura is all grown up and headed to New York.

It’ll be showing at Parsons The New School of Design February 5th – April 17th:

Specifically, it’s at the Sheila C. Johnson Design Center, located at 2 West 13th Street, New York, NY 10011.

On Thursday, February 5th at 5:45 p.m, I’ll be doing a curator’s talk. The opening reception follows 6:30–8:30 p.m. It’d be great to see you there.

Here’s the Parsons blurb:

The works in Prison Obscura vary from aerial views of prison complexes to intimate portraits of incarcerated individuals. Artist Josh Begley and musician Paul Rucker use imaging technology to depict the sheer size of the prison industrial complex, which houses 2.3 million Americans in more than 6000 prisons, jails and detention facilities at a cost of $70 billion per year; Steve Davis led workshops for incarcerated juvenile in Washington State to reveal their daily lives; Kristen S. Wilkins collaborates with female prisoners on portraits with the aim to compete against the mugshots used for both news and entertainment in mainstream media; Robert Gumpert presents a nine-year project pairing portraits and audio recordings of prisoners from San Francisco jails; Mark Strandquist uses imagery to provide a window into the histories, realities and desires of some incarcerated Americans; and Alyse Emdur illuminates moments of self-representations with collected portraits of prisoners and their families taken in prison visiting rooms as well as her own photographs of murals in situ on visiting room walls, and a mural by members of the Restorative Justice and Mural Arts Programs at the State Correctional Institution in Graterford, PA. Also, included are images presented as evidence during the landmark Brown v. Plata case, a class action lawsuit that which went all the way to the Supreme Court of the United States, where it was ruled that every prisoner in the California State prison system was suffering cruel and unusual punishment due to overcrowded facilities and the failure by the state to provide adequate physical and mental healthcare.

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Parsons has scheduled a grip of programming while the show is on the walls:

Mid-day discussion with curator Pete Brook and Tim Raphael, Director, The Center for Migration and the Global City, Rutgers University-Newark.
Wednesday, February 4, 12:00–1:30 p.m.
Co-hosted with the Humanities Action Lab.

These Images Won’t Tell You What You Want: Collaborative Photography and Social Justice.
Friday, February 27, 6:00 p.m.
A talk by Mark Strandquist.

Windows from Prison
Saturday, February 28
A workshop led by Mark Strandquist. More information about participation will be available on the website.

Visualizing Carceral Space
Thursday, March 12, 6:00 p.m.
A talk by Josh Begley.

Please spread the word. Here’s a bunch of images for your use.

PARTNERS

At The New School, Prison Obscura connects to Humanities Action Lab (HAL) Global Dialogues on Incarceration, an interdisciplinary hub that brings together a range of university-wide, national, and global partnerships to foster public engagement on America’s prison system.

Prison Obscura is a traveling exhibition made possible with the support of the John B. Hurford ‘60 Center for the Arts and Humanities and Cantor Fitzgerald Gallery at Haverford College, Haverford, PA.

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Prison Obscura continues to travel. If you’re in or around New Jersey then you should know a version (a tighter edit) of Prison Obscura is currently on show at Alfa Arts Gallery in downtown New Brunswick. The show runs until November 1st.

The official opening was last Friday (10th) and coincided with the Marking Time: Prison Arts & Activism Conference at Rutgers University and hosted by the Institute for Research on Women (IRW). To give you a taster of the presentation, below are some snaps taken by staff at Alfa Arts Gallery. But not before a few notes of thanks …

GRATITUDE

I’d like to thank Alfa Art Gallery-owners Chris Kourtev and the entire Kourtev family for generously giving over their space for three weeks to house the show. Thanks to Nicole Fleetwood, Sarah Tobias and all the staff at IRW involved in bringing Prison Obscura to NJ. Thanks for a wonderful conference too!

I’d also like to extend my thanks once more to Matthew Callinan, Associate Director of Cantor Fitzgerald Gallery at Haverford. Matthew continues to make sure the logistics for each venue are taken care of and, in this case, gave up an entire Sunday to drive from Philadelphia and install the show. Thanks to the staff at John B. Hurford Center for Arts & Humanities at Haverford, who continue to support the exhibition.

For more information about the exhibition, visit the Prison Obscura website.

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“Tex Johnson, 60” by Ron Levine, courtesy of the artist.

Later this week, I’ll be attending the inaugural prison arts and activism conference, Marking Time.

Hosted by the Institute for Research on Women at Rutgers, and across multiple venues, the event brings together an incredibly committed and skilled cohort of practitioners throughout many disciplines — from dance to yoga, from occupational health to sculpture, and from film making to social work.

I’ll be moderating a panel discussion Imagery and Prisons: Engaging and Persuading Audiences, with Gregory SaleLorenzo Steele, Jr., and Mark Strandquist on Wednesday afternoon. In addition, a version of Prison Obscura will be on show at the Alfa Art Gallery in downtown New Brunswick.

To emphasise the breadth and depth of expertise I’ve copied out the schedule below. I have made bold and linked the names of artists, activists and academics’ names with whose work I am already familiar … and admire.

I pepper the post with artworks made by photographic artists attending Marking Time.

Marking Time runs 8th-10th Oct. Registration for the conferecne is free.

See you in New Brunswick this Wednesday?!?!

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“Allen and Tanasha, 1998.” Family album. Courtesy of the Fleetwood family.

WEDNESDAY 8TH OCT.

Session 1: 9: 30 – 10:45 am

PANEL: Creative Arts and Occupational Health (ZLD)
Susan Connor and Susanne Pitak Davis (Rutgers University Correctional Healthcare) “Finding Meaning Thru Art”
Karen Anne Melendez (Rutgers University Correctional Healthcare) “The Concert Performance with Adult Females in Correctional Health Care”
Moderator: Michael Rockland (Rutgers-New Brunswick)

WORKSHOP: Steps Taken: Footprints in the Cell (NBL)
Rachel Hoppenstein (Temple University)
Ann Marie Mantey (Temple University)

Session 2: 11:00 – 12:15 pm

PANEL: Law, News, and Art (ZLD)
Regina Austin (Penn Law School)
Ann Schwartzman (Pennsylvania Prison Society)
Tom Isler (Journalist/Filmaker)
Moderator: Tehama Lopez

WORKSHOP: Utilizing Dance as a Social Tool: Dance Making with Women in Prison (NBL)
Meredith-Lyn Avey (Avodah Dance)
Julie Gayer Kris (Avodah Dance)

LUNCH: 12:15 – 1:15 pm

Session 3: 1:15 – 2:30 pm

PANEL: Imagery and Prisons: Engaging and Persuading Audiences (ZLD)
Gregory Sale (Artist)
Lorenzo Steele, Jr. (Founder, Behind these Prison Walls)
Mark Strandquist (Artist)
Moderator: Pete Brook (Freelance Writer/Curator)

PRESENTATION: The Political and Educational Possibilities of Exhibitions (NBL)

David Adler (Independent Curator)
Sean Kelley (Eastern State Penitentiary)
Rickie Solinger (Independent Curator)

Session 4 2:45 – 4:00 pm

PANEL: About Time (ZLD)
Damon Locks (Prison and Neighborhood Arts Project)
Erica R. Meiners (Northeastern Illinois University/Prison and Neighborhood Arts Project)
Sarah Ross (School of the Art Institute of Chicago/ Prison + Neighborhood Arts Project)
Fereshteh Toosi (Columbia College Chicago)
Moderator: Donna Gustafson (Rutgers-New Brunswick)

PANEL: Best Practices: Arts, Prisons and Community Engagement (NBL)
Robyn Buseman (City of Philadelphia Mural Arts Program)
Shani Jamila (Artist, Cultural Worker, Human Rights Advocate)
Kyes Stevens (Alabama Prison Arts and Education Project)

EVENING EVENTS

4:00 – 5:00 pm Artist Talk: Jesse Krimes (ZLD)

5:00– 5:45 pm Welcome Reception (ZL)

7:30 – 9:00 pm Opening Keynote: Reginald Dwayne Betts (KC)
Welcome Remarks: IRW Director Nicole Fleetwood
Introduction of Keynote: Dean Shadd Maruna, School of Criminal Justice – Rutgers, Newark

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“Exercise Cages, New Mexico” by Dana Greene, courtesy of the artist.

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“That Renown New Mexico Light” by Dana Greene, courtesy of the artist.

THURSDAY OCTOBER 9TH

Session 1: 9: 30 – 10:45 am

PANEL: Theater in Prisons (ZLD)

Wende Ballew (Reforming Arts Incorporated, Georgia) “Theatre of the Oppressed in Women’s Prisons: Highly Beneficial, Yet Hated”
Lisa Biggs (Michigan State University) “Demeter’s Daughters: Reconsidering the Role of the Performing Arts in Incarcerated Women’s Rehabilitation”
Karen Davis (Texas A&M) “Rituals that Rehabilitate: Learning Community from Shakespeare Behind Bars”
Bruce Levitt and Nicholas Fesette (Cornell University) “Where the Walls Contain Everything: The Birth and Growth of a Prison Theatre Group”
Moderator: Elin Diamond (Rutgers-New Brunswick)

PANEL: Prison Architecture, Space and Place (NBL)

Svetlana Djuric (Activist) and Nevena Dutina (Independent Scholar) “Living Prison”
Maria Gaspar (Artist) “The 96 Acres Project”
Vanessa Massaro, (Bucknell) “It’s a revolving door”: Rethinking the Borders of Carceral Spaces”
Moderator: Matthew B. Ferguson (Rutgers-New Brunswick)

Session 2 11:00 – 12:15 pm

PRESENTATION: Sustaining Engagement through Art: The US and Mexico (ZLD)

Phyllis Kornfeld (Independent Art Teacher, Author, Activist, Curator) “Thirty Years Teaching Art in Prison: Into the Unknown and Why We Need to Go There”
Marisa Belausteguigoitia (UNAM) “Mural Painting in Mexican Carceral Institutions”

WORKSHOP: The Arts: Essential Tools for Working with Women and Families impacted by Incarceration (NBL)

Kathy Borteck-Gersten (The Judy Dworin Performance Project)
Judy Dworin (The Judy Dworin Performance Project)
Joseph Lea (The Judy Dworin Performance Project)
Kathy Wyatt (The Judy Dworin Performance Project)

LUNCH: 12:15 pm – 1:15 pm

Session 3 1:15 – 2:30 pm

PRESENTATION: Visualizing Bodies/Space: A Performative Picture of Justice System-Involved Girls & Women in Miami, FL (ZLD)
Nereida Garcia Ferraz (Artist/Women on the Rise!)
Jillian Hernandez (University of California-San Diego/Women on the Rise!)
Anya Wallace (Penn State University/Women on the Rise!)
Moderator: Ferris Olin (Rutgers-New Brunswick)

PANEL: 25 Years of the Creative Prison Arts Project: Connecting Incarcerated Artists with the University of Michigan Community (NBL)
Reuben Kenyatta (Independent Artist)
Ashley Lucas (University of Michigan)
Janie Paul (University of Michigan)

PRESENTATION: The Art of Surviving in Solitary Confinement (RAL)
Bonnie Kerness (American Friends Service Committee Prison Watch Program)
Ojore Lutalo (American Friends Service Committee Prison Watch Program)

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“Theda Rice, 77” by Ron Levine, courtesy of the artist.

Session 4 2:45 – 4:00 pm

PANEL: Restorative Arts and Aging in Prison (ZLD)
Aileen Hongo (Educator/Activist)
Anne Katz (University of Southern California)
Ron Levine (Artist)

WORKSHOP: The SwallowTale Project: Creative Writing for Incarcerated Women (NBL)
Angel Clark (Photographer/Filmmaker)
Bianca Spriggs (Artist/Poet)

Session 5 4:15 – 5:30 pm

PANEL: Resisting Guantanamo through Art and Law (ZLD)
Aliya Hana Hussain (Center for Constitutional Rights)
Matthew Daloisio (Witness against Torture)
Aaron Hughes (Independent Artist)
Moderator: Joshua Colangelo-Bryan (Dorsey & Whitney LLP)

WORKSHOP: Bar None: The Possibilities and Limitations of Theater Arts in Prison (NBL)
Max Forman-Mullin (Bar None Theater Company)
Julia Taylor (Bar None Theater Company)

EVENING EVENTS

5:45 – 6:45 pm Reception (NBL)

7:00 – 9:00 pm: Artist Talks: Russell Craig, Deborah Luster, Dean Gillispie, Jared Owen (AAG)

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“Self Portrait” by Russell Craig, acrylic on cloth, 2014, courtesy of the artist.

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“LCIW, St. Gabriel, Louisiana, Zelphea Adams” from One Big Self: Prisoners of Louisiana, by Deborah Luster, courtesy of the artist.

FRIDAY OCTOBER 10TH

Session 1: 9: 30 – 10:45 am

PANEL: Prison Lit (ZLD)

Helen Lee (University of North Carolina at Chapel Hill) “Eldridge Cleaver’s SOUL ON ICE: A Rhetoric of Confrontation in Prison Writing”
Suzanne Uzzilia (CUNY Graduate Center) “Lolita’s Legacy: The Mutual Imprisonment of Lolita Lebrón and Irene Vilar”
Carolina Villalba (University of Miami) “Radical Motherhood: Redressing the Imprisoned Body in Assata Shakur’s Assata: An Autobiography”
Moderator: Monica Ríos (Rutgers-New Brunswick)

PANEL: Photographic Education Program at Penitentiary Centers in Venezuela: From the Lleca to the Cohue (ZMM)
Helena Acosta (Independent Curator)
Violette Bule (Photographer)
Moderator: Katie Mccollough (Rutgers-New Brunswick)

PANEL: Narrating Injustice: Youth and Mass Incarceration (BSF)

Sean Saifa M. Wall (Independent Artist) “Letters to an Unborn Son”
Richard Mora and Mary Christianakis (Occidental College) “(Re)writing Identities: Past, Present, and Future Narratives of Young People in Juvenile Detention Facilities”
Beth Ohlsson (Independent Educator) “Reaching through the Cracks: Connecting Incarcerated Parents with their Children through Story”
Moderator: Annie Fukushima (Rutgers-New Brunswick)

Session 2 11:00 – 12:15 pm

PANEL: Gender, Sexuality, and Systemic Injustices (ZLD)
Michelle Handelman (Filmmaker, Fashion Institute of Technology) “Beware the Lily Law: Tales of Transgender Inmates”
Tracy Huling (Prison Public Memory Project) “‘She was incorrigible…’ Building Public Memory About A Girl’s Prison”
Carol Jacobsen (University of Michigan) “For Dear Life: Visual and Political Strategies for Freedom and Human Rights of Incarcerated Women”
Moderator: Simone A. James Alexander (Seton Hall University)

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“Beware the Lily Law” by Michelle Handelman, high-definition video, sound, Installation at Eastern State Penitentiary, Philadelphia. Photo credit: Laure Leber, 2014.

PANEL: Life Sentences: Memoir-Writing as Arts and Activism in a Maximum Security Women’s Prison (ZMM)
Courtney Polidori (Rowan University)
Michele Lise Tarter (The College of New Jersey)
Samantha Zimbler (Oxford University Press)
Moderator: Fakhri Haghani (Rutgers-New Brunswick)

PANEL: The Politics of Imprisonment (BSF)
Dana Greene (New Mexico State University) “Carceral Frontier: The Borderlands of New Mexico’s Prisons”
Marge Parsons (Prisoners Revolutionary Literature Fund) “Free the Spirit from Its Cell”
Jackie Sumell (Independent Artist) “The House That Herman Built”
Treacy Ziegler (Independent Artist) “Light and Shadow in a Prison Cell”
Moderator: Angus Gillespie (Rutgers-New Brunswick)

LUNCH: 12:15 pm – 1:15 pm

Session 3 1:15 – 2:30 pm

PRESENTATION: Shakespeare in Prison (ZLD)
Tom Magill (Educational Shakespeare Company Ltd)
Curt Tofteland (Shakespeare Behind Bars)

PANEL: Building Effective Prison Arts Programs (ZMM)
Laurie Brooks (William James Association) “California Prison Arts: A Quantitative Evaluation”
Jeff Greene (Prison Arts Program at Community Partners in Action) “Beyond Stereotype: Building & Supporting Extraordinary Arts Programs in Prison”
Becky Mer (California Appellate Project/Prison Arts Coalition) “National Prison Arts Networking in the US: Lessons from the Prison Arts Coalition”
Moderator: Lee Bernstein

PANEL: Genre and Aesthetics in Prisons (BSF)

T.J. Desch Obi (Baruch College, CUNY) “Honor and the Aesthetics of Agon in Jailhouse Rock”
Anoop Mirpuri (Portland State University) “Genre and the Aesthetics of Prison Abolition”
Jon-Christian Suggs (John Jay College, CUNY) “Behind the Red Door: Real and Fictional Communism in Prison”
Ronak K. Kapadia (University of Illinois at Chicago) “US Military Imprisonment and the Sensorial Life of Empire”
Moderator: Jed Murr

Session 4 2:45 – 4:00 pm

PANEL: Twenty Years of Teaching Visual and Literary Arts in a Maximum-Security Prison (ZLD)
Rachel M. Simon (Marymount Manhattan College in Bedford Hills Correctional Facility)
Duston Spear (Marymount Manhattan College in Bedford Hills Correctional Facility)

WORKSHOP: Alternatives to Violence Workshops in Prison: Liminal Performances of Community and/as Activism (ZMM)
Chad Dell (Monmouth University)
Johanna Foster (Monmouth University)
Eleanor Novek (Monmouth University)
Deanna Shoemaker (Monmouth University)

WORKSHOP: More Than a Rap Sheet: The Real Stories of Incarcerated Women (BSF)
Amanda Edgar (Family Crisis Services)
Jen LaChance Sibley (Family Crisis Services)
Jenny Stasio (Family Crisis Services)

CLOSING REMARKS (ZLD): 4:00 – 4:30 pm

OPENING RECEPTION FOR PRISON OBSCURA (AAG):4:30 – 6:30 pm

EVENING EVENTS: 7:00 – 9:30 pm (SH)

Tales from the Cell, Mountainview Program
The Peculiar Patriot, Liza Jessie Peterson
Women on Our Own, acapella group of formerly incarcerated musicians

Films to be shown all day on October 9 & 10 at the Ruth Dill Johnson Crockett Building, 162 Ryders Lane (Douglass Campus), schedule to be determined.

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Key for venue codes:
AAG: ALFA ART GALLERY
BSF: BLOUSTEIN SCHOOL FORUM
KC: KIRKPATRICK CHAPEL
NBL: NEW BRUNSWICK PUBLIC LIBRARY COMMUNITY ROOM
RAL: RUTGERS ART LIBRARY
SH: SCOTT HALL
ZL: ZIMMERLI MUSEUM LOBBY
ZLD: ZIMMERLI MUSEUM LOWER DODGE GALLERY
ZMM: ZIMMERLI MUSEUM MULTIMAX ROOM

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